Dutch singer Fay Claassen doesn't necessarily push beyond the musical house, but she does occasionally rearrange the furniture. Her surveys of the Chet Baker catalog Two Portraits of Chet Baker (Jazz'n Pulz, 2006) revealed an abiding respect for the jazz canon, while also giving hint to a playful and creative attitude toward the music. This is never in more evidence than on her cover of Björk's "Cover Me," from the Icelandic pop singer's Post (Elektra, 1995).
Under the direction of Michael Abene who drives the superb WDR Big Band Cologne and the WDR Rundfunkorchester, the song become a modern tone poem, something Richard Strauss would have composed after his Last Four Songs, had the composer ever heard The Sugarcubes. It boasts the quiet rebellious spirit of the Entartete Musik of Korngold and Goldschmidt, cast in the crystalline sonics of today.
Personnel: Fay Claassen: vocals; Michael Abene: conductor; Andy Haderer:
trumpet; Rob Bruynen: trumpet; Wim Both: trumpet; Klaus Osterloh:
trumpet; John Marshall: trumpet; Ludwig Ness: trombone; Felix Fromm: trombone; Bernt Laukamp: trombone; Mattis Cederberg: trombone; Johan Horlen: saxophone; Karolina Strassmayer: saxophone; Oliver Peters: saxophone; Paul Heller: saxophone; Jens Neufang: saxophone; Frank Chestenier: piano; Paul Shigihara: guitar; John Goldsby: bass; Hans Dekker: drums; WDR Rundfunkorchester.
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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