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Dutch singer Fay Claassen doesn't necessarily push beyond the musical house, but she does occasionally rearrange the furniture. Her surveys of the Chet Baker catalog Two Portraits of Chet Baker (Jazz'n Pulz, 2006) revealed an abiding respect for the jazz canon, while also giving hint to a playful and creative attitude toward the music. This is never in more evidence than on her cover of Björk's "Cover Me," from the Icelandic pop singer's Post (Elektra, 1995).
Under the direction of Michael Abene who drives the superb WDR Big Band Cologne and the WDR Rundfunkorchester, the song become a modern tone poem, something Richard Strauss would have composed after his Last Four Songs, had the composer ever heard The Sugarcubes. It boasts the quiet rebellious spirit of the Entartete Musik of Korngold and Goldschmidt, cast in the crystalline sonics of today.
Personnel: Fay Claassen: vocals; Michael Abene: conductor; Andy Haderer:
trumpet; Rob Bruynen: trumpet; Wim Both: trumpet; Klaus Osterloh:
trumpet; John Marshall: trumpet; Ludwig Ness: trombone; Felix Fromm: trombone; Bernt Laukamp: trombone; Mattis Cederberg: trombone; Johan Horlen: saxophone; Karolina Strassmayer: saxophone; Oliver Peters: saxophone; Paul Heller: saxophone; Jens Neufang: saxophone; Frank Chestenier: piano; Paul Shigihara: guitar; John Goldsby: bass; Hans Dekker: drums; WDR Rundfunkorchester.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.