Scott Feiner & Pandeiro Jazz at Zinc Bar, Nov. 4 2010
By
Scott Feiner and Pandeiro Jazz
Zinc Bar
New York, NY
November 3, 2010
For the CD release event for his third CD Accents (Zoho, 2010), pandeiro jazz innovator Scott Feiner took the stage with the same musicians that played on the recording sessions: Freddie Bryant (acoustic and 12-string guitar), Joel Frahm(tenor and soprano saxophone) and Joe Martin (bass). Feiner seemed determined to take the music into a different direction: instead of the more Brazilian-inspired material from previous live appearances, the band went into a more straight-ahead direction, opening with Bryant's "Alone." They followed that with the disc's title track, a Feiner-Bryant collaboration that played with a toned-down funk beat and featured a flawless, spine-tingling soprano solo from Frahm.
Among the few covers featured during the set was a bluesy take on Herbie Hancock's "Watermelon Man." It was interesting to hear Feiner's instrument in this format, since most associate the pandeiro with Brazilian music. Feiner took a subtle approach, while Martin filled the few empty spaces with a solid bass line. Feiner also presented a "Raro Momento," a yet-unreleased tune whose initial notes seemed to have been inspired by Jobim's "So Tinha Que Ser Com Voce." Another memorable moment came with Frahm's "Jobimiola," a homage to the Brazilian composer clearly written from an American point of view.
The set closed with a rendition of Stevie Wonder's "Big Brother," a tune that appeared on the first Pandeiro Jazz CD (Delira Music, 2006). Here Feiner went back to the more samba-inspired sound from that timea testament of how his music project has evolved since its conception half a decade ago. Feiner's idea of bringing the pandeiro to a jazz format is clearly a work in progress, and now that he has signed with a U.S. label, he might be discovered by a wider audience.
Zinc Bar
New York, NY
November 3, 2010

Among the few covers featured during the set was a bluesy take on Herbie Hancock's "Watermelon Man." It was interesting to hear Feiner's instrument in this format, since most associate the pandeiro with Brazilian music. Feiner took a subtle approach, while Martin filled the few empty spaces with a solid bass line. Feiner also presented a "Raro Momento," a yet-unreleased tune whose initial notes seemed to have been inspired by Jobim's "So Tinha Que Ser Com Voce." Another memorable moment came with Frahm's "Jobimiola," a homage to the Brazilian composer clearly written from an American point of view.
The set closed with a rendition of Stevie Wonder's "Big Brother," a tune that appeared on the first Pandeiro Jazz CD (Delira Music, 2006). Here Feiner went back to the more samba-inspired sound from that timea testament of how his music project has evolved since its conception half a decade ago. Feiner's idea of bringing the pandeiro to a jazz format is clearly a work in progress, and now that he has signed with a U.S. label, he might be discovered by a wider audience.
Post a comment
FOR THE LOVE OF JAZZ

WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.About Scott Feiner
Instrument: Pandeiro
Article Coverage | Calendar | Albums | Photos | Similar ArtistsTags
Scott Feiner
Live Reviews
Ernest Barteldes
Two for the Show Media
United States
New York
New York City
Freddie Bryant
Joel Frahm
Joe Martin
Herbie Hancock
Stevie Wonder