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MUSICIAN Born:

Stevie Wonder

b. Steveland Judkins, 13 May 1950, Saginaw, Michigan, USA. Born Judkins, Wonder now prefers to be known as Steveland Morris after his mother's married name. Placed in an incubator immediately after his birth, baby Steveland was given too much oxygen, causing Steveland to suffer permanent blindness. Despite this handicap, Wonder began to learn the piano at the age of seven, and had also mastered drums and harmonica by the age of nine. After his family moved to Detroit in 1954, Steveland joined a church choir, the gospel influence on his music balanced by the R&B of Ray Charles and Sam Cooke being played on his transistor radio. In 1961, he was discovered by Ronnie White of the Miracles, who arranged an audition at Motown Records

Meet Jonathan Glass

Read "Meet Jonathan Glass" reviewed by Tessa Souter and Andrea Wolper

New York, New York, we can't imagine our latest jazz Super Fan thriving anywhere else, inspired as he is by the sports teams, the museums, the art galleries, the theater, and the jazz clubs---perhaps most of all, the jazz clubs. You might have spotted him, sketchbook in hand, capturing the spirit of the night's performance for ...

ARTICLE: INTERVIEW

Emma Swift's Multitudes

Read "Emma Swift's Multitudes" reviewed by Eric Gudas

As its title suggests, Blonde on the Tracks, Australian-born, Nashville-based singer-songwriter Emma Swift's first full-length album, re-interprets songs from the heart of Bob Dylan 1960s and '70s catalog, although its span covers his most recent work. Swift belongs to the generations of listeners who grew up on the songs of Gram Parsons}], Dylan, {{m: Joni Mitchell, ...

ARTICLE: ALBUM REVIEW

Artemis: Artemis

Read "Artemis" reviewed by Mike Jurkovic

It's truly exhilarating yet sadly mundane and reductive that a recording as vital and victorious as Artemis will be universally hailed as a first from an all-female supergroup. That it cuts across all generational, cultural, international, and ethnic planes. That Blue Note Records has expanded its ever legendary ranks to include, well, you know, a female ...

ARTICLE: ALBUM REVIEW

Kenny Washington: What's The Hurry

Read "What's The Hurry" reviewed by Dan Bilawsky

Despite what many may think, there's no prescribed timeline for firsts and career milestones. Some artists decide to initially take the reins to record when they're 18. Others only get around to doing it when they're 80. The bottom line: The right time is the right time, and nobody should worry about getting there before they're ...

ARTICLE: ALBUM REVIEW

Chick Corea: Plays

Read "Plays" reviewed by Mike Jurkovic

As we huddle and binge on our national and moral failings, having as buoyant and engaging an artist come into our homes, as Chick Corea does on Plays, is simply a great, beautiful thing, and one of the core reasons that, even in the face of the daily ire, the majority of us hold tight the ...

ARTICLE: LIVE REVIEW

Marta Lotta Kukk At Parnu Jazz Klubi

Read "Marta Lotta Kukk At Parnu Jazz Klubi" reviewed by Martin McFie

Marta Lotta Kukk Endla Teater Jazziklubi Parnu, Estonia August 7, 2020 Estonia is bounded by sea on two sides, and by one of the largest lakes in Europe on a third side, separating it from Russia. On the fourth side, is the land border with Latvia, a fellow member ...

ARTICLE: JAZZ JOURNAL

Summer 2020

Read "Summer 2020" reviewed by Doug Collette

Jazz Journal is a regular column comprised of pithy takes on recent releases of note, spotlighting titles that might otherwise go unnoticed or that deserve special attention. Claus Waidtløw The Game Self Produced 2020 A saxophonist who, over the last 3 decades, has recorded and toured with a ...

ARTICLE: ALBUM REVIEW

Rudresh Mahanthappa: Hero Trio

Read "Hero Trio" reviewed by Emmanuel Di Tommaso

La sedicesima produzione discografica del sassofonista statunitense di origini indiane Rudresh Mahanthappa rappresenta un nuovo capitolo del progetto di fusione fra la musica carnatica dell'India meridionale e la musica occidentale contemporanea che ne ha caratterizzato l'intera carriera artistica fin dagli inizi negli anni Novanta, anticipando un percorso di sperimentazioni e commistioni intrapreso in anni recenti, tra ...

ARTICLE: LIVE REVIEW

Festival International de Jazz de Montréal 2020

Read "Festival International de Jazz de Montréal  2020" reviewed by Mark Sullivan

2020 Festival International de Jazz de Montréal Various Venues Montréal, Canada June 27-30, 2020 Above all else the Festival International de Jazz de Montréal is a spectacular ten-day event: with around 2 million visitors and 500 concerts on 20 stages, it is ranked as the world's largest jazz ...


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