Home » Jazz Articles » Live Review » Satoko Fujii with Natsuki Tamura: Chicago, Illinois, June 27, 2011

261

Satoko Fujii with Natsuki Tamura: Chicago, Illinois, June 27, 2011

By

View read count
Satoko Fujii with Natsuki Tamura
Pianoforte
Chicago, Illinois
June 27, 2011

The intimate salon at Pianoforte, Chicago's premier piano shop and performance venue, was extremely well suited for Satoko Fujii's intensely personal, introspective music, especially in the solo and duet formats. This was Fujii's much anticipated Chicago debut and she did not disappoint.

Opening with a lullaby-like tune inspired by her noisy piano seat at home, she laid down a sparse and deceptively simple succession of notes with her left hand, and with her right simulated her old bench's groans and creaks with a crumbled plastic bag and an empty water bottle. The noise these objects made not only did not distract from the music, it enhanced the intimacy of the atmosphere. She then launched into two longer and more complex pieces replete with her trademark atonal rhythms and unusual time signatures. Her dynamic pianism blurred the lines between composition and improvisation—even though one of the tunes was written originally for a large ensemble while the other for a trio, they sounded superbly fitting for a solo pianist.

After the first 45 minutes Fujii asked her husband, trumpeter Natsuki Tamura, to join her on the sparsely decorated stage dominated by the Fazioli piano. Tamura's clean, angular and laconic horn lines underscored Fujii's own musical vision and pushed her flights of improvisational fancy further out into freer realms. Her playing in return reflected and enhanced his solo forays. The extreme compatibility of the two musicians resembled a 21st century version of the historic cornet/piano duet of King Oliver and Jelly Roll Morton. In both cases a pair of forward looking improvisers with a common musical vision enriched each other's creativity.

A blues-tinged duet of alternating crisp, short piano and trumpet lines ended the sublime recital after exactly 90 intellectually-stimulating and satisfying minutes, leaving behind a disappointing silence and the frustration of inability to capture and preserve this stirring hour and a half, except in memory.


About Satoko Fujii

Tags

Comments


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Popular

HIDDEN GEMS

Jazz article: Punkt 2019
Live Review
Punkt 2019
Jazz article: Meet Mark Weber
Out and About: The Super Fans
Meet Mark Weber

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.