Home » Jazz Articles » Album Review » André Santos: Ponto De Partida

14

André Santos: Ponto De Partida

By

View read count
André Santos: Ponto De Partida
Listening to Ponto de Partida (Starting Point), it's rather hard to believe that André Santos has been playing jazz for less than 10 years. The young Portuguese guitarist's charming, understated debut album seems like the work of an older musician: one, perhaps, with nothing to prove except for the sheer enjoyment of making music. From the outset, Santos' playing seems allied with the mellow, moodily lyrical guitar style that many associate with well-known players such as Pat Metheny and Kurt Rosenwinkel. But Santos' album is not just easy on the ears; it's an engaging and thoughtful listen. It's not solely due to the quality of Santos' playing, or that of his capable and efficient backing band. Santos' compositions are more than just pleasant, and far more than mere blowing vehicles; they're beautifully crafted, with a touch of melancholy. Most belie a strong Brazilian influence while not coming off as "Brazilian music." There's also an eerie, dissonant rawness in Santos' music that creeps into the proceedings in the most unexpected places.

The quietly exultant "Zion" features layered, overdubbed acoustic guitars. The down-tempo, suite-like "Reverso da Medalha" juxtaposes passages of solo acoustic guitar and jazzier ensemble playing with Santos' percussive, effects-free electric out in front. "Siso" is quite a bit darker and a little heavier, with Santos playing the lead on a delicately fuzzed electric followed by a lengthy counter-melody with Ricardo Toscano's alto saxophone out front. Santos' twisting, aggressive solo, and the overlay of quietly fluttering atonal saxophone at the piece's end, make the listener sit up and take notice. Joao Hasselberg's stalking bass line on "Qwerty," one of the album's most dynamic pieces, gives Santos and drummer Joao Pereira plenty of open space to interact before the mood gets more aggressive; Santos' solo here is a real corker. The quartet flirts with rhapsodic, turbulent free jazz á la late 60s / early 70s Keith Jarrett on "Viagem De Olhos Vendados," and wraps up the album on an aggressive, noir-ish note with the passionate, rocking "Pressagio."

The remaining pieces, particularly "Avo Joao" and the charming "Mutantes," explore various aspects of the connections between Portuguese and Brazilian styles. "Avo Joao," with tenor saxophonist Gianni Gagliardi is sort of an altered bossa with a pretty, hummable melody. The unbelievably charming "Mutantes" presents Santos in a trio with vocalists Joana Espadinha and Margarida Campelo. Again, Santos refers to Brazilian music without enslaving himself to it. Replete with odd and unexpected vocal harmonies and intervals of wordless singing over Santos' vamping acoustic, the tune is a bit reminiscent of Argentinian pop chanteuse Juana Molina's quirky electroacoustic music.

Track Listing

Zion; Reverso da Medalha; Siso; Ponto De Partida; Avo Joao; QWERTY; Viagem De Olhos Vendados; Mutantes; Pressagio.

Personnel

André Santos: guitar; Ricardo Toscano: alto saxophone; Gianni Gagliardi: tenor saxophone (5); Joao Hasselberg: bass; Joao Pereira: drums; Joana Espadinha, Margarida Campelo: vocals (8).

Album information

Title: Ponto De Partida | Year Released: 2014 | Record Label: Tone Of A Pitch Records

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.