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ARTICLE: ALBUM REVIEW

Jay Anderson: Deepscape

Read "Deepscape" reviewed by Jerome Wilson

Bassist Jay Anderson has been a sideman for many musicians including Michael Brecker, Lee Konitz, Kenny Wheeler and Maria Schneider, but he hasn't led a recording session since the 90s.' He makes up for lost time here with a varied set of music that sometimes follows standard jazz orthodoxy and sometimes goes its own fascinating way. ...

ARTICLE: LIVE REVIEW

Moldejazz Festival 2018

Read "Moldejazz Festival 2018" reviewed by Luca Vitali

Molde Jazz Festival Molde, Norvegia 15-19.07.2018 Il festival jazz di Molde è il secondo più antico d'Europa --fondato nel 1961, lo precede di un solo anno il festival di Ljubljana la cui prima edizione risale al 1960 --e ancora oggi il più importante in Norvegia. È qui che Keith Jarrett e Jan ...

ARTICLE: ALBUM REVIEW

Roberta Piket: West Coast Trio

Read "West Coast Trio" reviewed by Victor L. Schermer

This album brings together New York-based pianist Roberta Piket with two outstanding musicians from the Los Angeles area: bassist Darek Oleszkiewicz and drummer Joe La Barbera. Hence the title “Roberta Piket: West Coast Trio." To spice things up, Piket brought along her long-time cohort Billy Mintz on percussion on one track, and special guest guitarist Larry ...

ARTICLE: ALBUM REVIEW

Torhild Ostad / Carsten Dahl: Jeg roper til deg

Read "Jeg roper til deg" reviewed by Jakob Baekgaard

Back in 1982, the Norwegian singer, Radka Toneff, released a very special duo album with the American pianist, Steve Dobrogosz, called Fairytales. Since then, the fate of the music has also become something of a fairytale, with the album being chosen as one of the best Norwegian albums of all time. It seems ...

ARTICLE: LIVE REVIEW

Festival International de Jazz de Montreal 2017

Read "Festival International de Jazz de Montreal 2017" reviewed by John Kelman

Part 1 | Part 2 Festival International de Jazz de Montréal 2017 Montréal, Canada June 29-July 3, 2017 It's always a thrill to return to Le Festival International de Jazz de Montréal (FIJM). Deemed the biggest jazz festival in the world by the Guinness World Book of Records, it only ...

ARTICLE: INTERVIEW

Glauco Venier si racconta con Miniatures

Read "Glauco Venier si racconta con Miniatures" reviewed by Giuseppe Segala

Miniatures è un piano solo. Ma è anche qualcosa di più, per il modo in cui sono state inserite nel tessuto narrativo le sculture sonore azionate dallo stesso Glauco Venier e per come sono saldate al pensiero che sorregge la musica. La musica respira anche attraverso il dialogo tra pianoforte e sculture sonore, che tracciano una ...

ARTICLE: ALBUM REVIEW

Ferenc Snetberger: In Concert

Read "In Concert" reviewed by Mario Calvitti

Era solo questione di tempo prima che il chitarrista ungherese Ferenc Snetberger approdasse ai lidi ECM. Molte delle sue passate produzioni discografiche non avrebbero affatto sfigurato nel catalogo dell'etichetta bavarese, che finalmente lo può annoverare tra i suoi artisti con la pubblicazione di questo In Concert, registrazione di una sua esibizione in solo a Budapest nel ...

ARTICLE: HI-RES JAZZ

Blue Note On Blu-Ray

Read "Blue Note On Blu-Ray" reviewed by Mark Werlin

Jazz music is best appreciated with “big ears" and an open mind. Just as exposure to new music casts older, familiar works in a different light, newer formats can expand a listener's perspective on the strengths and limitations of the original recordings. SACDs, Blu-Ray discs and hi-res downloads accurately represent the affective details of ...

ARTICLE: ALBUM REVIEW

Claudio Sanna: Ammentos

Read "Ammentos" reviewed by Mark Corroto

A new voice worthy of your consideration is Sardinian pianist Claudio Sanna. His debut Ammentos, or “Memories,' finds a fully developed mature sound that is formed by classical music, but as with many jazz artists, open to other musics. Classically trained artists like Sanna, Keith Jarrett and Herbie Hancock before him, can also be ...

ARTICLE: ALBUM REVIEW

Anja Lechner / François Couturier: Moderato cantabile

Read "Moderato cantabile" reviewed by John Kelman

ECM Records has long divided its discography in two: the regular series, representing music of a more improvisational bent; and its New Series, featuring largely classical music ranging from the contemporary to the archaic, but more truly defined in its through-composed nature. Still, the line between the two has, however, often been a porous one, where ...


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