Home » Jazz Articles » Live Review » Jesse Cook At The Paramount Theatre

6

Jesse Cook At The Paramount Theatre

Jesse Cook At The Paramount Theatre

Courtesy Steven Roby

By

Sign in to view read count
Jesse Cook
Paramount Theatre
Denver, CO
October 24, 2023

Flamenco fusion guitarist Jesse Cook had a rocky start to his tour of the Western States three weeks ago. "Yup! It finally got me. I thought I could avoid it, but almost four years after COVID arrived, it finally struck me down this past week," Cook told his social media followers. Coincidently, the guitarist's latest release is titled Love in the Time of COVID (Coach House Music).

Cook's October 1 show at Denver's Zig Zag Art Deco Paramount Theatre was re-scheduled for last Monday, and his loyal fans came out in full support. A senior fan seated behind me proudly proclaimed she flew in from New Mexico for her sixth Cook concert.

In his opening, Cook apologized for rescheduling. "You really wouldn't have wanted to see me three weeks ago, but I'm feeling great now!" Cook opened with a fiery rendition of his signature song, "Tempest."

Cook's a passionate guitarist and a master of multiple genres: flamenco, world, and jazz. His unique ability to seamlessly blend these together creates an amazing live performance.

Cook strode onstage solo, surrounded by unattended instruments, and slowly added the members of his energetic band one by one. Percussionist/drummer Marito Marques—a Grammy, Latin Grammy, and Juno nominee—was first up. Throughout the evening, Marques played various percussion instruments (shaker, cajón, bongos, etc.), giving the compositions an extra punch. A spiral cymbal stacker sounded like waves crashing.

Fellow Canadian and protégé flamenco guitarist Matt Sellick followed. Cook reminisced that the young guitarist had sent him links to his performance videos, which so impressed him that he added Sellick to the touring band five years ago.

Toronto bassist Dan Minchom was up next, providing a funky groove and foundation to Cook's sound. Algeria-born Fethi Nadjem completed the mix, with a style of music on his bent knee-resting violin and mandolin that Cook called "Arabic Andaluse."

Cook chuckled at the intro music played by the soundboard for each arriving member—a little humor for the last show in the road tour—Brit Dan Michom's intro was the theme from The Benny Hill Show. The good humor and high audience involvement with spirited clapping rhythms continued throughout the show.

After a brief intermission, Cook and company returned to the stage to perform "Havana," led by a searing violin intro, and an increasingly dramatic pace. Starting with all players on stools, Cook and Sellick soon stood side by side and captivated the audience with their electrifying fretwork, especially on songs like "Azul," a huge YouTube hit. The audience erupted with spontaneous shouts and applause.

The highlight of this set was "On Walks The Night," an eerie but enchanting tune with Cook and Sellick pairing off while Marques added a hypnotic beat. To complement the music's chilling tone, Minchom embellished it with deep wall-vibrating synth effects, followed by fuzz bass.

Then, to lull us out of our mellow Middle Eastern mood, Cook announced, "Do you think we can have a bit of a crazy Denver Rhumba Party this evening?" The crowd cheered approvingly and rose to their feet to dance a medley of rhumba songs for twelve minutes. A steel drum and mallet, conga, and gourd added irresistible rhythms while guitarists' flying fingers raced the length of the necks.

The musicians regularly added perfectly timed stops mid-song to enhance the drama, followed by thunderous restarts and furious dueling Flamenco guitars. The multi—talented band members also shifted places to add percussion, and at one point, drummer Marques played an eerie flute. Cook used looping to add compelling layers of rhythm to several songs.

The enthralled audience jumped up, standing and clapping for a first, second, and third encore. With just a refreshing swig from their water bottles, Cook and Sellick performed a lovely unplugged, harmonic duet of Crowded House's "Fall At Your Feet," a sort of bluegrass-flamenco delight. The band members all hugged, and Cook folded his hands in gratitude to the audience with his final thank you before leaving the stage.

Setlist

1: Tempest; La Ruma d' Ele jefe; Satie's; Virtue; Baghdad; Breathing Below The Surface; Luna Llena; Viva. 2: Havana; Azul; Etrics; Switchback; Cancion Trist; On Walks The Night (Arabic Spanish Guitar); Rumba Medley.

Encore

Mario; Café Mocha; Fall At Your Feet.

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Jazz article: Willie Jones III Sextet at Jazz Alley
Jazz article: Lettuce with John Scofield at SFJAZZ
Jazz article: Julian Siegel Quartet At Magy's Farm

Popular

Read The Mosaic Records Story
Record Label Profile
The Mosaic Records Story
Read Pat Metheny at the Kaufmann Concert Hall
Read Take Five with Tap Dancer Petra Haller

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.