When we think of jazz education, we might first think about what's developed at the college level and at music conservatories over the last fifty years or so, and then maybe consider how jazz instruction and jazz bands have flourished at the high school and middle school levels a little more recently. But beyond these settings, jazz education has advanced thanks to a select number of other, smaller, independent organizations that have had a strong impact on their local communities.
One such organization is Jazz House Kids
, of Montclair, New Jersey, which has flourished this New York Metro area suburb since it was founded in 2002 and has served more than 50,000 students. It has made its presence known nationally, as well. Its ensembles have consistently placed in the top three for many years in competitions for high-school age students such as the Charles Mingus Institute's Mingus Competition and Jazz at Lincoln Center's Essentially Ellington. Students from Jazz House Kids have won Downbeat
magazine student awards and been chosen for the highly selective GRAMMY high school bands. And Jazz House Kids practically serves as a feeder school for the jazz program at Juilliarda number of students have won full scholarships there in recent yearsin addition to sending students to other well-known jazz programs, such as those at Berklee, the New School, Northwestern, and Oberlin, not to mention a couple of Ivy League schools, as well. Melissa Walker
, the Founder afnd President of Jazz House Kids and its guiding force, is quick to point out that the impact of the organization goes far beyond the accomplishments of its top students, impressive as they are. In fact, you almost have to pull that information out of her. She's proud of the students who are on their way in making careers as jazz performers, but she seems prouder still of the fact that nearly 100% of Jazz House Kids students go on to college, studying a wide variety of subjectsand many of them the first in their family to do so.
Walker sees the mission of the non-profit organization in very broad terms. "Jazz House Kids uses this home-grown music called jazz as a teaching tool for young people. We use it to build global citizens and community leaders. That's really what the heart of this isto use this music that is so engaging, that is such a place for self-expression and collective participationin order to move young people's lives forward."
In addition to Walker, leadership at Jazz House Kids also includes Christian McBride
, who serves as Artistic Chair of the organizationand also happens to be Walker's husbandalong with an active board. There are about 150 faculty, including accomplished, experienced musicians who play regularly on their own in the New York metro area, and there's also a small, dedicated staff.
An independent, non-profit organization, Jazz House Kids has a 4,500-square-foot space with three studios in Montclair on Bloomfield Avenue, the town's main thoroughfare, with classes offered six days a week, and it operates in-school music programs at eight different New Jersey locations in Newark, Elizabeth, Orange, and Union. Community engagement is another central element of the organization; Jazz House Kids organizes the annual Montclair Jazz Festival, a full-day free event that drew 10,000 attendees last August and featured such artists as Dee Dee Bridgewater
, John Scofield
, Paquito D'Rivera
, Cyrus Chestnut
, and Christian McBride, along with ensembles of Jazz House students and faculty.
An accidental start
Walker's involvement with jazz education and Jazz House Kids came about almost accidentally. She had long experience working as a jazz vocalistwhich she continues today, appearing on two tracks of McBride's 2017 GRAMMY-winning big-band album Bringin' It
WBGO, the New York Metro area's primary jazz radio station, based in Newark, was organizing an afternoon jazz program for children, and Gary Walker and Dorthaan Kirk from the station approached Walker for some help. The singer agreed, but remembers being very reluctant about it. That one program was the start of a new whole career for her, though. "But for that, I just know I wouldn't be here. It's just wild to think that 15 years of my life, in essence, started with that one moment. I guess it's that lesson where preparation meets your opportunity. That one moment. Every once in a while when I see Dorthaan and Gary, and I say I can't believe it. And Gary will say, 'Look, I just asked you to do one program. Not 20 bands and thousands of kids.'"