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Intakt Records
ByMusicians, engineers, art designers, everybody made money except the founders.
So says Patrik Landolt, executive director and one of the founders of the highly regarded Swiss label Intakt. Landolt was working as a journalist at the leftist weekly he founded (and still edits) 17 years ago when the first Intakt record was released. On top of that, he was organizing the Taktlos Music Festival. He wasn't looking to start a label on top of everything else, he said, but just to get some of the tapes of pianist Irene Schweizer he had from the festival pressed to vinyl.
"We had so many recordings of Irene," Landolt said. "We sent the tapes to many labels and nobody was interested. It was a time when Irene was really underdocumented, and Irene is really a symbol for the whole lesbian movement in Switzerland.
"I've played drums for many years," Schweizer said in an interview with Landolt published by Intakt. "Even as a girl this instrument attracted me. In my parents' restaurant there was dance music every Saturday night. Sunday mornings, I would sneak into the dance hall, sit down at the drum set and try to play. I like the way the hands move as well as how hands and feet are independent. Playing the drums is very physical. It's a bit like dancing. Many people say that I play the piano very percussively. I'm fascinated by rhythm."
"The first 15 years we worked completely without money," Landolt said. "Musicians, engineers, art designers, everybody made money except the founders."
But a seeming lack of local support for Swiss new music was on display some nights at Tonic last month, when musicians outnumbered audience members for an otherwise remarkable week of concerts featuring musicians like Koch-Schütz-Studer, Sylvie Couvoisier, Dorothea Schuerch, Stephan Wittwer and Jacques Demmiere, all of whom have recorded for Intakt. The After Yodel festival at Tonic, part of the larger Swiss Peaks arts festival in more than two dozen venues around the city, was organized by turntablist Christian Marclay, who was born in California to a Swiss father and American mother, and grew up in Switzerland. According to Marclay, the exchange of support between European and American new music has largely been one-way.
In that effort, a wide range of corporate sponsors lent support to Swiss Peaks, a nonprofit arts organization based in New York that organized three months of gallery shows, film screenings and concerts to showcase the arts of Switzerland.
"New York is considered the cultural capital of the world," Marclay said. "People are always wanting to come here and show what they can do, but the small clubs can't afford to do it. A place like Tonic can't afford to bring people in. They work on a very small margin."
Whether or not American support grows for the consistently strong released Intakt puts out, generally six or eight a year, the label is dedicated to continue putting out the albums that Landolt sees as not just recordings but documents of the time.
"Most of our CDs have long liner notes," he said. "The package is very important. We have traditional jewel boxes, but we spend a lot of money on the booklet, on the liner notes, on the translation. "It's a reflection," he added. "Music, for me, is seismic. You can read on the music the feeling of the times. This is important to me."
For more information, visit www.intaktrec.ch .
Kurt Gottschalk is the editor of The Squid's Ear .
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