Home » Jazz Articles » Album Review » Gary Peacock / Marc Copland: Insight
Gary Peacock / Marc Copland: Insight
This duo outing opens with "All Blues," from Miles Davis' Kind of Blue (Columbia Records, 1959), a reprise from Copland's near-perfect trio set Voices, on which Peacock played, with Paul Motian sitting in on drums. Minus the timekeeper, the tune is looser, more fluid, rendered with an effortless fervor. As on the entire set, there is a deeply exploratory and mystical atmosphere to the music.
The brooding Peacock/Copland-penned "The Wanderer" puts Copland's supple and gorgeous control of touch on display. "Blue and Green," a second addition from Kind of Blue, recalls pianist Bill Evanswho played on the original, and who is thought to have, rather than Davis, written the tuneat his most introspective.
Throughout, Peacock's bass is by turns powerful, deft, gentle and supremely assured as he slips in and out of the melodic lead. On "Rush Hour," a Peacock/Copland original, he plucks with a controlled and frenetic momentum.
The set features six Peacock/Copland compositions, one individual writing credit each for the pianist and bassist, along with a the two Davis songs, and Dave Brubeck's beautiful and much-covered "In Your Own Sweet Way." They close out with the standard "Sweet and Lovely," covered often by Thelonious Monk. Peacock gives the extroverted melody a joyous bounce for a bright and lovely closing to a masterful and marvelous duo outing.
Track Listing
All Blues; The Wanderer; Blue in Green; Rush Hour; River's Run; Matterhorn; The Pond; Goes Out Comes In; Late Night; Cavatina; In Your Own Sweet Way; Benediction; Sweet and Lovely.
Personnel
Gary Peacock
bass, acousticMarc Copland
pianoGary Peacock: bass; Marc Copland: piano.
Album information
Title: Insight | Year Released: 2009 | Record Label: Pirouet Records
About Gary Peacock
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







