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Ustad Saami: God Is Not A Terrorist
BySurti's use of microtones links it to several jazz (or perhaps beyond-jazz) musicians including the trumpeter Jon Hassell. In 1972, on a European tour with La Monte Young, Hassell heard the Indian singer Pandit Pran Nath, who was performing on the same concert programme in Rome. Encountering Nath's microtonal style was a paradigm-shifting experience for Hassell, and he persuaded Young and another collaborator, Terry Riley, to join him on an extended trip to India to study with the singer.
Hassell's unique, transcultural approach to the trumpetraga-like, microtonal, half sung and half blown, breathy and allusivedeveloped out of these studies. He introduced it on record on Vernal Equinox (Lovely Records) in 1978 and, while his productions (like the technology which enables them) have become more sophisticated since then, Hassell's trumpet style has remained fundamentally unchanged. His career-defining Listening To Pictures (Pentimento Volume 1 (Ndeya, 2018), is shot through with microtonal inflections.
Which bring us to back to Ustad Saami. The singer and composer literally risks his life daily in Pakistan to keep surti alive. Like all music the style is regarded as blasphemous by Islamofascists, who have murdered several dozen musicians (and dancers) in the country since the turn of the millennium. Many others have been cowed into silence. Saami remains defiant. He is said to be the only practitioner of surti left in the world so, when he passes, or is assassinated, the music may die with him.
God Is Not A Terrorist is the fifth album in the Glitterbeat label's Hidden Musics series.
Track Listing
God Is; My Beloved Is On The Way; Twilight; Hymn; War Song; Longing.
Personnel
Ustad Saami: vocals; uncredited harmonium, drone, tabla, backing vocals.
Album information
Title: God Is Not A Terrorist | Year Released: 2019 | Record Label: Glitterbeat