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About Jon Hassell

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Musician

Jon Hassell

Born:

COMPOSER/TRUMPETER Jon Hassell is the visionary creator of a style of music he describes as Fourth World, a mysterious, unique hybrid of music both ancient and digital, composed and improvised, Eastern and Western.

After composition studies and university degrees in the USA, he went to Europe to study electronic and serial music with Karlheinz Stockhausen. Several years later, he returned to New York where his first recordings were made with minimalist masters LaMonte Young and Terry Riley, through whom he met the Hindustani raga master, Pandit Pran Nath, and embarked on a lifelong quest to transmute his teacher's Kirana vocal mastery into a new trumpet sound and style.

In the last two decades, he has recorded 11 highly influential, category-defying solo albums which have, over the years, become so widely appropriated that many of their innovations have become woven anonymously into the texture of contemporary music high and low.

While the liner notes for his 1983 record Aka-Darbari-Java/Magic Realism describe a technology-tradition balance resulting in a "'coffee-colored' classical music of the future", it was innovators in the field of pop such as Brian Eno and Peter Gabriel who—after collaborations with Hassell—steered the Fourth World idea into the avant-pop sphere where it has since evolved into myriad forms of "electronica", "new age", and "world music."

Notable concert appearances have included The Next Wave at the Brooklyn Academy of Music, Serious Fun at Lincoln Center, La Foret Museum in Tokyo, the Berlin Jazz Festival, the Paris Biennale, a Japan tour with Farafina, a traditional group of drummers and dancers from Burkina Faso and a spectacular appearance with eight Moroccan tribal groups at Expo 92 in Seville to celebrate Moroccan Independence Day

Album

Music Is Invisible

By Jon Hassell

Label: Ndeya Records
Released: 2026
Track listing: Blue Ba-Ya: Club Gris-Gris; Broadway Boogie-Woogie; Electric Forest.

Album

Music Is Invisible (Pentimento Volume Three)

By Jon Hassell

Label: Ndeya
Released: 2026
Track listing: Blue Ba-Ya; Club Gris-Gris; Broadway Boogie-Woogie; Electric Forest.

11

Article: Multiple Reviews

Voo Voo Runs the Voodoo Down

Read "Voo Voo Runs the Voodoo Down" reviewed by Maciej Stasiowski

by Maciej Stasiowski

Voo Voo is the faux-phonetic transcription of how Wojciech Waglewski's initials should be pronounced in English--instead of the default “double U" times two. By no mere coincidence, it is also the name of a group he has been running since 1985. Having secured his band this way for sailing on international waters already at the outset, ...

14

Article: Live Review

Vilnius Mama Jazz 2026

Read "Vilnius Mama Jazz 2026" reviewed by Ian Patterson

by Ian Patterson

Vilnius Mama Jazz Lithuanian National Drama Theatre25th Edition Vilnius. LithuaniaMay 22-24, 2026 Vilnius Mama Jazz turned 25. In festival terms that is early middle age. When you consider that 25 years is roughly a quarter of the entire history of jazz, the significance of the milestone assumes greater meaning.

16

Article: Interview

Yazz Ahmed: Bridging Worlds Through Sound

Read "Yazz Ahmed: Bridging Worlds Through Sound" reviewed by Marco Iacoboni

by Marco Iacoboni

Yazz Ahmed is one of the most compelling and innovative voices in contemporary jazz, an Anglo-Bahraini trumpeter and composer acclaimed for her fusion of jazz, avant-garde electronics and Middle Eastern musical traditions. Her music creates soundscapes that feel at once ancient and futuristic, deeply rooted yet constantly searching for new directions. Rather than using ...

3

Article: Radio & Podcasts

Sheldon Agwu, Nabou, I Hold the Lion's Paw, SML, TL;DR, Kalia Vandever

Read "Sheldon Agwu, Nabou, I Hold the Lion's Paw, SML, TL;DR, Kalia Vandever" reviewed by Ludovico Granvassu

by Ludovico Granvassu

This playlist explores electro-acoustic projects shaped by atmosphere, texture, and studio-driven imagination, many of them drawing from the muddy, ambient legacy of Jon Hassell's “Fourth World." The journey then shifts focus to the next generation, closing with two emerging trombonists.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" ...

6

Article: Album Review

Billie Davies: 2455 (Music for the Future)

Read "2455 (Music for the Future)" reviewed by Max Kutner

by Max Kutner

2455: Music for the Future features the telekinetic duo of drummer/percussionist Billie Davies and trumpeter Branden James Lewis presenting a series of dreamlike improvisations united under Davies' concept of No Boundaries, Music for the 24th Century. Davies' vision and designs allow the music to shape-shift and wander at whim between dub, ambient, free jazz, musique concrète, ...

14

Article: Interview

Yazz Ahmed: un suono che unisce mondi

Read "Yazz Ahmed: un suono che unisce mondi" reviewed by Marco Iacoboni

by Marco Iacoboni

La compositrice e trombettista anglo-bahreinita Yazz Ahmed è una delle voci più affascinanti e innovative del jazz contemporaneo, acclamata per la sua efficace fusione di jazz, elettronica d'avanguardia e tradizioni musicali del Medio Oriente, creatrice di paesaggi sonori allo stesso tempo ancestrali e futuristici. Attraverso la sua musica, Yazz Ahmed non cerca solo di ...

5

Article: Album Review

William Carn's Choices: The Unburdening

Read "The Unburdening" reviewed by Dan McClenaghan

by Dan McClenaghan

The Covid pandemic allowed Canadian trombonist William Carn to push toward electronics, to move in the direction of going remote with his fellow players for the process of putting a set of sounds together. His debut album, 2023's self-produced Choices (review here) started the process. He doubles down (a much-heard phrase in the 2020s, thanks to ...


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