Results for "Jon Hassell"
About Jon Hassell
Instrument: Trumpet
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Jon Hassell
Born:
COMPOSER/TRUMPETER Jon Hassell is the visionary creator of a style of music he describes as Fourth World, a mysterious, unique hybrid of music both ancient and digital, composed and improvised, Eastern and Western.
After composition studies and university degrees in the USA, he went to Europe to study electronic and serial music with Karlheinz Stockhausen. Several years later, he returned to New York where his first recordings were made with minimalist masters LaMonte Young and Terry Riley, through whom he met the Hindustani raga master, Pandit Pran Nath, and embarked on a lifelong quest to transmute his teacher's Kirana vocal mastery into a new trumpet sound and style.
In the last two decades, he has recorded 11 highly influential, category-defying solo albums which have, over the years, become so widely appropriated that many of their innovations have become woven anonymously into the texture of contemporary music high and low.
While the liner notes for his 1983 record Aka-Darbari-Java/Magic Realism describe a technology-tradition balance resulting in a "'coffee-colored' classical music of the future", it was innovators in the field of pop such as Brian Eno and Peter Gabriel who—after collaborations with Hassell—steered the Fourth World idea into the avant-pop sphere where it has since evolved into myriad forms of "electronica", "new age", and "world music."
Notable concert appearances have included The Next Wave at the Brooklyn Academy of Music, Serious Fun at Lincoln Center, La Foret Museum in Tokyo, the Berlin Jazz Festival, the Paris Biennale, a Japan tour with Farafina, a traditional group of drummers and dancers from Burkina Faso and a spectacular appearance with eight Moroccan tribal groups at Expo 92 in Seville to celebrate Moroccan Independence Day
Vilhelm Bromander: In This Forever Unfolding Moment
by Chris May
Ornette Coleman's haunting “Lonely Woman" is becoming something of a 2023 soundtrack. At the time of writing, we have had memorable versions from Kahil El'Zabar's Ethnic Heritage Ensemble on Spirit Gatherer (Spirit Muse), and Kurt Elling and Charlie Hunter on The Iridescent Spree (Edition), plus another couple of efforts about which the less said the better. ...
Torben Westergaard: The Gori Project II
by Geno Thackara
Sometimes an experience is too special and rewarding to simply leave as a one-off. If it requires traveling 8,300 kilometers across the hemisphere, then maybe you cannot continue making it a habit as regular as popping off to the pub on weekends, but the right repeat can still be worth the effort, even if it takes ...
A Hip-Hop Jazz Thing @50 - Part 2
by Ludovico Granvassu
This week we take a look back at decades of cross pollination between jazz and hip-hop, with a focus on international projects and on collaborations between jazz and hip-hop artists. Our little contribution to the celebrations of half a century of hip-hop. Happy listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted ...
Big Ears Festival 2023
by Mark Sullivan
Big Ears Festival Knoxville, Tennesse March 30-April 2, 2023 The second full edition after the pandemic found the Big Ears Festival still growing in attendance. Organizers responded by increasing the number of venues, including new ones like the Knoxville Civic Auditorium and ones that had not been used for some time, ...
Dino Duo: J.A. Deane & Jason Kao Hwang: Uncharted Faith
by Karl Ackermann
The idiosyncratic nature of Jason Kao Hwang's work lends itself to a broad range of collaborative possibilities. Uncharted Faith, a duo recording with electronics artist J.A. Deane, is unique because of both its experimental essence and its personal backstory. Deane (aka, Dino) lost his life-partner in 2019 and went into wooded seclusion to finish a book. ...
Stephan Thelen: Fractal Guitar 3
by Mark Sullivan
Guitarist/composer Stephan Thelen presents the third installment of his Fractal Guitar series. Like the previous albums, the emphasis is on multiple guitars, layered in kaleidoscopic arrangements based on his compositions and guitar playing, but significantly colored by the contributions of his collaborators. This edition was also influenced by the other albums that he was working on ...
Robert Diack: Small Bridges
by Dan McClenaghan
It is heartening to hear a new artist coming on strong. Drummer Robert Diack's self-released debut, Lost Villages, placed the artist in the visionary column of jazz artists, as he spotlighted, with an original voice, the concept concerning a series of flooded townships in Southern Ontario, Canada, places put underwater in the 1950s for ...
Jon Balke: Siwan: Hafla
by David Bruggink
A large appeal of ECM Records has always been its encouragement of cross-cultural collaboration. Across countries and genres, listeners and critics alike have reveled in records from Codona (1979) to Le Pas du Chat Noir (2001), Chants, Hymns and Dances (2004) and Arco Iris (2011). There is joy in seeing musicians from diverse backgrounds come together to have their compositions treated with ...
RedGreenBlue: The End And The Beginning
by Chris May
RedGreenBlue sound like they have emerged from the same synapse-snapping dope bunker that La Monte Young and Jon Hassell exited with their Theatre Of Eternal Music in the 1970s, whacked out on opium, hashish and mescaline, dazed but not confused. RedGreenBlue may or may not indulge in the same psychotropic self-medication as their Lower East Side ...
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