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ARTICLE: INTERVIEW

Jon Hassell: Words with the Shaman

Read "Jon Hassell: Words with the Shaman" reviewed by Chris May

Jon Hassell is best known as the creator of Fourth World music, an acoustic-electronic blend of jazz, minimalism, drone, ambient, traditional African and Asian instruments and harmolodic signatures. Hassell has defined Fourth World as “serious music with transcultural appeal and a smile." He unveiled the concept on his debut album, Vernal Equinox (Lovely Records), in 1977. ...

ARTICLE: ALBUM REVIEW

Light Star Guiding: Light Star Guiding

Read "Light Star Guiding" reviewed by Mark Sullivan

Light Star Guiding is a Polish quartet which makes music collectively, with a seamless combination of composition and improvisation (all the music on this album is credited to the whole band). It is a very contemporary sound, frequently employing repetition and trance. Tenor saxophonist Ray Dickaty says he sees the project as an electric counterpoint to ...

ARTICLE: MULTIPLE REVIEWS

Michael Robinson: Where Composition, Programming & Raga Meet

Read "Michael Robinson: Where Composition, Programming & Raga Meet" reviewed by Mark Sullivan

Los Angeles-based composer Michael Robinson's work is full of contradictions. It is produced via computer programming, a system which he refers to as “Meruvina." The name comes from the sanskrit word for musical instrument, “vina" and the name of the mountain where the Hindu gods reside, “Mount Meru," and consists of software, a computer, and a ...

ARTICLE: ALBUM REVIEW

Kronos Quartet/Terry Riley: Sun Rings

Read "Sun Rings" reviewed by Mark Sullivan

In addition to their performance of 20th century classics, modern music specialists The Kronos Quartet have a long history of commissioning new works from contemporary composers. But their relationship with minimalist pioneer Terry Riley is a special one. After composing the open-scored In C in 1964, Riley increasingly turned his attention towards improvised performances with tape-delay ...

ARTICLE: LIVE REVIEW

Ostrava Days 2019

Read "Ostrava Days 2019" reviewed by Martin Longley

Ostrava Days Various Venues Ostrava Czech Republic August 22-31, 2019 The biennial Ostrava Days festival rolled around again, and there's nothing quite like a once-every-two-years event to make time appear to flow even faster than normal. As a moderne composition festival, it is difficult to accurately ...

Terry Riley, Gyan Riley, Oliver Lake, Amir ElSaffar & Tommy Castro

Read "Terry Riley, Gyan Riley, Oliver Lake, Amir ElSaffar & Tommy Castro" reviewed by Martin Longley

Terry Riley & Gyan Riley (le) Poisson Rouge April 3, 2019 Terry Riley and his son Gyan Riley enjoy an ongoing duo performance situation, in a forum where the elder composer places the emphasis on spontaneous improvisation, impromptu sonic texturing and intimate musical dialogue. Catching him in this setting, it's ...

ARTICLE: ALBUM REVIEW

Ustad Saami: God Is Not A Terrorist

Read "God Is Not A Terrorist" reviewed by Chris May

God Is Not A Terrorist is by no stretch of the imagination a jazz album, but it contains deep and authentic music and will appeal to some AAJers. Ustad Saami is a master of the Pakistani vocal style known as surti, which is characterized by its use of microtones. Microtones are widely used in music throughout ...

ARTICLE: LIVE REVIEW

Genius Loci - Un festival tra le meraviglie di Santa Croce a Firenze

Read "Genius Loci - Un festival tra le meraviglie di Santa Croce a Firenze" reviewed by Neri Pollastri

Genius Loci Firenze Complesso Monumentale di Santa Croce 20-22.9.2018 Per il secondo anno il Comune di Firenze e l'Opera di Santa Croce, con la collaborazione dell'emittente fiorentina Controradio, hanno riproposto Genius Loci, festival multiforme volto alla valorizzazione dello splendido Complesso Monumentale di Santa Croce. Posto sul fianco destro della basilica, tomba ...

ARTICLE: THE BIG QUESTION

Presenting Problem

Read "Presenting Problem" reviewed by Duncan Heining

Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...


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