contains some of the most stimulating three-way counterpoint written and played in a long time. All of the compositional credit goes to Wolfgang Muthspiel
, the composer; but making it all come alive is Muthspiel, the guitarist, and
his chosen partners for this date: saxophonist Andy Scherrer
and bassist Larry Grenadier
. Muthspiel leads from the front with the warmth and splendor of his authoritative voice. The guitarist is deeply rooted in the harmonic ideas of European music, with phrases fully formed and in
formed by the contrapuntal ideas that spring from the tradition of Bach.
Muthspiel is also a sublime melodist, taking leave from Mozart as much as he does some of his contemporaries spread across the landscape of modern music. He has certainly heard the ancestors of his chosen instrument, from Charlie Christian
and Freddie Green
to Wes Montgomery
. But he has also listened carefully to pianists Bill Evans
and the magical Abdullah Ibrahim
Muthspiel's is a unique voice. Bright and singing, it sets the music aglow with bubbling melody and sophisticated harmony ensconced in an enormous palette of colors, which the guitarist applies with deft touch and exacting technique. He plays single notes with joyful clarity, triads and chords with a sense of purpose to bring about a sunburst of colors. His ability to make outstanding timbral pronouncements puts him in a league presided over by the sublime mastery of Ralph Towner
. Here, too, Muthspiel holds his own, delivering on the promise held out for his ingenuity as well. His dialogs with that other master on this date, Grenadier, are a joy to hear, whether they are navigating a complex musical portrait in "Ibrahim," or swinging in and out of a minor blues, "Double Blues," where Muthspiel trades thirds with Grenadier, then dropping back to comp in the shadow of the bassist's deep grumbling solo. Then Muthspiel dives behind Scherrer's lush soloing, before playing a maddeningly brilliant harmonic figure to lead the trio into Grenadier's solo.
In between it all there is music that reveals Muthspiel's mastery of various modes. This is a result of making music in Europe, where the musician is surrounded by craftsmanship and history that impels the artist into the Greco-Roman world of exactitude, as well as into the beautiful florid world of the baroque era, when Johann Sebastian Bach and Antonio Vivaldi held sway.
Being surrounded by all things melodic and Mozart also must have counted for something. Muthspiel has absorbed all this as well as enough of the tradition of the blues to make music that is not only worldly in vision, but also contemporary in relevance. He demonstrates an unaffected style, letting it all emerge with just the right amount of intellect and emotion on "Ralphone," and the crowning moments of "Raumzeit," where Grenadier's arco playing is sublime.
Despite Muthspiel's travels through time this remains a truly modern guitar album.