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Abdullah Ibrahim
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Abdullah Ibrahim’s new solo program transcends category, combining the intimate and the universal in a unique way that is hinted at in its title. SENZO means “Ancestor” in both Chinese and Japanese. SENZO also echoes the name of Abdullah Ibrahim’s Sotho father, in whose language the word translates as “Creator”. Abdullah Ibrahim, South Africa’s most distinguished pianist and a world-respected master musician, was born in 1934 in Cape Town and baptized Adolph Johannes Brand. His early musical memories were of traditional African Khoi-san songs and the Christian hymns, gospel tunes and spirituals that he heard from his grandmother, who was pianist for the local African Methodist Episcopalian church, and his mother, who led the choir
Bologna Jazz Festival 2025
by Libero Farnè
Bologna Jazz Festival 2025 Varie sedi Bologna e Ferrara 9 ottobre--16 novembre 2025 C'è da domandarsi se si possa definire festival una manifestazione musicale che si protrae per una quarantina di giorni. A Bologna una ragione giustificativa la si può trovare nel volersi ricollegare idealmente al memorabile festival storico, nato alla fine ...
JazzMI 2025 – X Edizione
by Paolo Peviani
JazzMI 2025--X Edizione Varie sedi Milano 23 ottobre-9 novembre 2025 Concerti, presentazioni di libri, film... Oltre duecento eventi distribuiti lungo diciotto giorni! Il festival JazzMI compie dieci anni e lo fa con una forza ed un'energia invidiabili. Impossibile, anche per il milanese più distratto, non venire a conoscenza dell'esistenza del festival, ...
Yetii: Inner Worlds
by Peter Jones
The thriving jazz scene in Bristol, UK, has brought forth many fine musicians in recent years, as has nearby Cardiff, another smallish but fertile hub for music. Yetii, a piano trio led by pianist and composer Alex Veitch, has built up a loyal local following with its monthly residency at Bristol's Greenbank pub, where its gigs ...
Lucian Ban: Following Bartók's Trail Through the Transylvanian Villages
by Dean Nardi
It is hard to re-invent where jazz can go. Players can eschew all the conventional methods they want, but a wheel is still a wheel. This is a reason why pianist Lucian Ban's efforts to bring to light the Hungarian composer, pianist and ethnomusicologist Bela Bartók's works as a field collector of folk music in 21st-century ...
Jack Chambers: Rethinking Duke Ellington
by Jack Kenny
Jack Chambers is professor at the University of Toronto and teacher of music and language. His jazz writings include the prize winning biography Milestones: The Music and Times of Miles Davis (Da Capo Press, 1998) and Bouncin' with Bartok: The Incomplete Works of Richard Twardzik (Mercury PR, 2008). Sweet Thunder: Duke Ellington's Music In Nine Themes ...
LaMP: The Three Of Me Blend Into One Of Us
by Dean Nardi
LaMP's rousing albums have a knack for keeping you listening, whether it is Russ Lawton propelling the trio along through punchy, substantial snare, Ray Paczkowski indulging in the inner point-of-view of melody and harmony on both organ and clavinet, or Scott Metzger inserting reveal after reveal in a twist-laden odyssey of gleeful, darting notes. But there ...
John Lamkin: Hot
by Tony Poole
Best known as a dedicated music educator, Dr. John Lamkin II has spent decades shaping the next generation of musicians as Director of Bands at the University of Maryland Eastern Shore. But in 1984, he stepped into the spotlight with Hot, a dynamic blend of fusion, R&B, and straight-ahead jazz-funk that showcased his prowess as a ...
I Dischi del 2024 secondo Ludovico Granvassu
by Ludovico Granvassu
Spesso molti articoli sulle “migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" “è tutto soggettivo;" “domani avrei scelto titoli diversi;" “ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando ...
Ludovico Granvassu's Garden of Jazzy Delights 2024
by Ludovico Granvassu
Have you noticed how many “best of the year" listicles start with an apologetic preamble ("these are not necessarily 'the best albums of the year' but 'my favorites';" “it's all subjective;" “tomorrow I might have chosen different titles;" “I could only select ten albums" etc.)? Those disclaimers channel the writer's discomfort of having to summarize a ...
