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Jazz Articles about Abdullah Ibrahim

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Radio & Podcasts

Keep It Big!

Read "Keep It Big!" reviewed by Patrick Burnette


After last episode's extravaganza we decided to keep our focus on larger ensembles for this outing. It's a mix of historical issues (some better engineered than others) and two nearly brand-new releases. What do they have in common? Ain't none of them trios. Pop matters gets historical as we contemplate Pitchfork's deathless mediations on the “oldness" of Steely Dan. Playlist Discussion of Woody Herman's album Moody Woody (Everest) 2:53 Discussion of Abdullah Ibrahim / Dollar Brand's album African ...

9

Album Review

Abdullah Ibrahim: Solotude

Read "Solotude" reviewed by Gareth Thompson


Abdullah Ibrahim once told a seminar at his M7 Academy in Cape Town, “The devil lives on the stage. This is where the ego comes out." On the strength of Solotude, recorded live on his eighty-sixth birthday, Ibrahim has crushed such personal demons and now lets angels guide his performing. One takes his point though, given that even the most spiritual music needs some sense of conceit to create and promote it. But this is an artist with nothing left ...

8

Radio & Podcasts

Jazz From South Africa - Hugh Masakela, Abdullah Ibrahim, Johnny Dyani (1960 - 1978)

Read "Jazz From South Africa - Hugh Masakela, Abdullah Ibrahim, Johnny Dyani (1960 - 1978)" reviewed by Russell Perry


The brutal repression of the subversive mixed-race jazz subculture in South Africa led to the emigration of several important musicians whose work in the United States and Europe helped focus the world's attention on the apartheid regime in the 1960s and 1970's. Prominent among the emigres are pianist Abdullah Ibrahim, who originally recorded as Dollar Brand, trumpeter Hugh Masekela and bassist Johnny Dyani Playlist Host Intro 0:00 The Jazz Epistles “Vary-Oo-Vum" from Jazz Epistle, Verse 1 (Celluloid) 3:53 ...

10

Album Review

Abdullah Ibrahim: Dream Time

Read "Dream Time" reviewed by Chris May


Stream-of-consciousness solo-piano recitals come in as many shades as jazz itself. At one extreme are Keith Jarrett's messianic epics. At another are Abdullah Ibrahim's less flashy but deeper outings. Ibrahim's style is about substance, space and subtlety. He says more by doing less. Duke Ellington and Thelonious Monk, after all, were his formative influences. Dream Time was recorded in March 2019 at the Hirzinger Concert Hall in Sölinhuben, in the foothills of the German Alps where Ibrahim ...

15

Interview

Abdullah Ibrahim: The Sound of the Universe

Read "Abdullah Ibrahim: The Sound of the Universe" reviewed by Mackenzie Horne


Abdullah Ibrahim's cosmology informs his art. While some might look upon him as an overseer at the crossroads between new and old, the tempered pianist stands as a sage, painting swirling rhythms that resemble the spheres of the universe with his compositions. He continues to combine ancient wisdom with the tones of the future; formation and reformation are one and the same for him. He roots his musical practice within tradition, composing with an ethos based on cycles.

14

Album Review

Abdullah Ibrahim: The Balance

Read "The Balance" reviewed by Chris May


Abdullah Ibrahim's discography goes back sixty years, and although there are longer periods between his releases than there used to be, Ibrahim has retained all his grit and jubilance. The pianist and composer continues to make gloriously uplifting music steeped in its South African roots, in a style which still carries echoes of his formative overseas influences, {{m: Duke Ellington and Thelonious Monk. The Balance, which is Ibrahim's first new album in four years, will delight anyone who ...

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Radio & Podcasts

Joey D Came To Town, Abdullah’s A Winner & More

Read "Joey D Came To Town, Abdullah’s A Winner & More" reviewed by Marc Cohn


Three features for you this week. Joey DeFrancesco wowed Baton Rouge on Wednesday, November 28th at the Manship Theatre in Baton Rouge; we warmed up the crowd on Gifts and Messages with DrJazz's request list. Pianist Abdullah Ibrahim is a 2019 NEA Jazz Masters Award winner, and we spotlight his Penguin Guide 'Core Collection' recording, Yarona. And we also spotlight Charlie Christian with Benny Goodman from the 25th ASCAP anniversary concert @ Carnegie Hall in 1939. Of course, there's much, ...


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