Home » Jazz Articles » Album Review » Rob Mazurek's Starlicker: Double Demon
Rob Mazurek's Starlicker: Double Demon
Double Demon is as much about DIY indie-rock as it is about jazz. Mazurek recruited Herndon from the now-famous band Tortoisean indie-rock band that's more about jazz and minimalism than rockto supply a boost to the trio's sound. Herndon's playing is more Keith Moon than it is Paul Motian, as is the more percussive Adasiewiczin his case, more Moon than Milt Jackson; his own trio CD, Sun Rooms (Delmark, 2010), a stellar showcase of the vibraphonist's composing and dynamic playing.
The first note hits like a steroid-fueled Barry Bonds,as the title track leaves no time for contemplation or soloing. Mazurek wrote these pieces to be dropped without traditional solos, and the trio winds through each piece as a troika, sharing the load. The music often gives the sense that the band is in constant battlenot among themselves, but with the intricacies of each piece. "Andromeda" is hurled forward, not just by Herndon's pulse, but by Adasiewicz's incessant tones and the sputtering charge of Mazurek's cornet. When the trio does ease back on "Triple Hex," the deliberative openingwith Adasiewicz creating simmering tones and Mazurek wandering a worldly Don Cherry pathultimately gives way to the band's penchant for take-no-prisoners intensity.
The beauty here is that this is, in no way, free jazz. Every note played is in service of the composition, with the soloists adopting a breathtaking three-way approach.
Track Listing
Double Demon; Vodou Cinque; Orange Blossom; Andromeda; Triple Hex; Skull Cave.
Personnel
Rob Mazurek
trumpetRob Mazurek: cornet; Jason Adasiewicz: vibraphone; John Herndon: drums.
Album information
Title: Double Demon | Year Released: 2011 | Record Label: Delmark Records
About Rob Mazurek
Tags
PREVIOUS / NEXT
Rob Mazurek Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






