Home » Jazz Articles » Album Review » Berserk!: Berserk!

3

Berserk!: Berserk!

Berserk!: Berserk!
Bassist Lorenzo Feliciati is the driving force behind Naked Truth, whose Ouroboros (RareNoise, 2012), featuring trumpeter Graham Haynes, is an invigorating sonic slab of post-Miles Davis post-jazz-rock. Feliciati and vocalist Lorenzo Esposito Fornasari here convene a coterie of like-minded post-everything musicians to go Berserk!

The hybrid music they make takes Naked Truth as a starting point and stretches in some new directions, notably that of various forms of heavy metal. Their ecumenical enthusiasm obviates the need to define what "genre" they play. Nevertheless, particularly at All About Jazz, it's revealing to consider just what the Berserk! sound shares with jazz.

It's jazz-like in a general sense: Feliciati, Fornasari and their bandmates draw abundantly upon rhythmic complexity, driven by dance-derived grooves, as well as individual and group improvisation. But what's curious is just how jazz-like Berserk! is in a fairly specific sense. These musicians' fondness for conventional jazz sounds—like trombone and upright bass (provided by Gianlucca Petrella and Feliciati, respectively, on "Clairvoyance"), or Sandro Satta's John Zorn-like alto saxophone at the opening of "Latent Prints"—are enough to quicken the pulse of many an old jazzbo. More to the point, these are sound elements too infrequently incorporated into the music of post-rock instrumentation, and it's good to hear them here.

And then there's the metal dimension. This is suggested in part by the underground album art and the vaguely dark and violent song titles. And metal of a certain grindcore variety is certainly present in some of Fornasari's singing (e.g. "Not Dead," on which he sounds inspired by Mark "Barney" Greenway of Napalm Death). All the driving metal elements come together, notably including guitarist Eivind Aarset, in the thrilling climax of "Latent Prints," and it is fairly new to jazz and genuinely thrilling.

That said, the music on this record is pleasingly varied and often marked by a profound sensitivity. Fornasari's vocals, in addition to the metallic tinge, cover textures ranging from Leonard Cohen's vaguely menacing whisper, to the darkly elegant style of Secrets of the Beehive (Virgin, 1987)-era David Sylvian, to full-blown operatic exaggeration ("Dream Made of Water"). Moments of instrumental quiet—"Dream Made of Wind," for example—alternate with the moments of high volume (jazzbos, take note: it's the eternal yin-and-yang between the legacies of saxophonists Coleman Hawkins and Lester Young, springing up in the unlikeliest of places).

As with the Naked Truth album that preceded it, it's hard not to label this record "post-something": post-jazz, post-rock, post-Miles, occupying a space cleared by previous innovations. It's tempting also to see Berserk! as "pre-" something, so affirming and positive is its sound. Stay tuned.

Track Listing

Macabre Dance; Fetal Claustrophobia; Blow; Not Dead; Clairvoyance; First; Dream Made Of Wind; Wait Until Dark; Latent Prints; Dream Made of Water.

Personnel

Gianluca Petrella: trombone, effects (1, 2, 4, 5, 7, 10); Sandro Satta: alto saxophone (3, 9); Fabrizio Puglisi: piano, Arp Odyssey (6, 8, 9); Jamie Saft: keyboards (1, 2, 9); Eivind Aarset: guitars (3, 4, 7, 9, 10); Lorenzo Feliciati: electric and upright bass; Cristiano Calcagnile: drums, effects (4, 5); Pat Mastelotto: drums, electronic percussion (6, 8, 9); Simone Cavina: drums (1, 2); Lorenzo Esposito Fornasari: voice, guitars, organ, electronics.

Album information

Title: Berserk! | Year Released: 2013 | Record Label: RareNoiseRecords

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.