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Coleman Hawkins
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Coleman Hawkins single-handedly brought the saxophone to the prominence in jazz that the instrument enjoys. Before he hit the scene, jazz groups had little use for the instrument. One player (forgot who) said, "with all due respect to Adolph Sax, Coleman Hawkins invented the saxophone." Hawkins, or "Bean", as he was known as, started playing cello at a young age before switching to the saxophone. He was a lifelong listener of classical music, and as a result, his knowledge of music theory was far ahead of his peers. Whereas Louis Armstrong improvised his solos based on the melody, Hawkins based his on the harmony and had a strong sense of rhythm. Hawkins hit New York at the age of 20 and quickly established himself, as he became the star of the Fletcher Henderson band
Take Five with Saxophonist Inbar Solomon
by AAJ Staff
Meet Inbar Solomon Inbar Solomon is a saxophonist, flutist, and composer originally from Tel Aviv, Israel who is now based in Brooklyn, New York. A graduate of The New School's Jazz and Contemporary Music program, he received significant merit scholarships from both The New School and Berklee College of Music. Solomon has appeared at major international ...
Lost and Found: Historic Jazz Recordings from the Swing Era
by Larry Slater
Lost recordings of the early decades of jazz are particularly rare and greatly valued, as the great soloists of the swing era were constrained by the length of the 78rpm shellac disc.Jazz fans and scholars were thrilled to learn about the Savory Collection, which was released in 2018. Bill Savory was a music lover ...
Count Basie, Duke Ellington, Louis Armstrong & John Coltrane
by Joe Dimino
Welcome to a special themed hour of jazz as we journey deep into the pages of Larry Tye's acclaimed book Jazz Men. This compelling work brings to life the triumphs, struggles, and sheer brilliance of Duke Ellington, Count Basie, and Louis Armstrong--three giants who not only shaped jazz but also helped move America forward during an ...
George Coleman: George Coleman with Strings
by Dan McClenaghan
Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...
Jazz in Nazi Germany: The Music That Wouldn’t Die
by Joe Alterman
This article was originally published on Moment Magazine. Music, at its core, is freedom. It cannot be caged by ideology or controlled by propaganda. The Nazis understood that, which is why they tried so desperately to suppress it, to twist it, to erase it. And yet, even in those darkest of times, music found ...
Andrea Rinciari: Soho Sessions
by Neil Duggan
The tracks on this album are selected from the repertoire of songs performed during the weekly sessions held by guitarist Andrea Rinciari and his associates in Soho, London. As he explains, “This album is a reflection of the magic that happens when musicians play together regularly. The tracks capture the spirit of our weekly Soho sessions. ...
Jack Chambers: Rethinking Duke Ellington
by Jack Kenny
Jack Chambers is professor at the University of Toronto and teacher of music and language. His jazz writings include the prize winning biography Milestones: The Music and Times of Miles Davis (Da Capo Press, 1998) and Bouncin' with Bartok: The Incomplete Works of Richard Twardzik (Mercury PR, 2008). Sweet Thunder: Duke Ellington's Music In Nine Themes ...
OJC Odds & Ends: From Cal Tjader to Mal Waldron
by C. Andrew Hovan
Once the vinyl renaissance confirmed that record labels could bring in a steady income just by tapping their holdings, they began combing their archives to fuel a steady stream of reissues. With a catalog of more than 1.2 million songs, Concord Records was uniquely positioned to capitalize on this resurgence. Its Craft Recordings subsidiary has emerged ...
Jan Lundgren On Storytelling In Jazz Improvisation
by Sven Bjerstedt
It was nice to finally, after all these years, have the opportunity to sit down with the celebrated jazz pianist Jan Lundgren and talk about what it actually is that we do as jazz musicians when we improvise. Jan and I have known each other for almost four decades now. Jan was born in 1966; I'm ...
