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Jazz Articles about Zakir Hussain


About Zakir Hussain

19

Album Review

John McLaughlin and Shakti: This Moment

Read "This Moment" reviewed by Dave Linn


John McLaughlin was known for his work with Miles Davis on Bitches Brew (Columbia, 1970) and with Tony Williams' Lifetime before forming his groundbreaking fusion band Mahavishnu Orchestra. He then shocked people with his next project, John McLaughlin and Shakti, an acoustic fusion of the Carnatak music of South India combined with some Western influences. After three albums, he disbanded the group and went in different directions before revisiting the genre 20 years later in 1999 with Remember Shakti, for ...

40

Album Review

Shakti: This Moment

Read "This Moment" reviewed by Ian Patterson


It has been a while alright. 46 years have slipped by since Shakti's last studio album, but the band founded by John McLaughlin and Zakir Hussain in late '73, is back to celebrate its 50th anniversary. The old road dogs could easily have marked the milestone by touring the back catalogue, and doubtless it would have been a roaring success, but it says a lot for McLaughlin and Hussain's artistic drive that they chose instead to write an album's worth ...

12

Album Review

Shakti: This Moment

Read "This Moment" reviewed by Ian Patterson


Forty-six years is a hefty chunk of time between studio releases. Half a lifetime, in fact. Shakti, however, is no ordinary band. The lengthy hiatuses that have punctuated the pioneering Indo-jazz band's fifty-year journey have not dimmed the collaborative flame of co-founders John McLaughlin and Zakir Hussain. Following its 2012-13 tour, they placed the dust covers over the band--redubbed Remember Shakti in 1997--once more. That hiatus soon seemed set to be permanent following the premature death of mandolinist Uppalapu Srinivas ...

24

Under the Radar

A Different Drummer, Pt. 8: Ustad Zakir Hussain Talks Tabla

Read "A Different Drummer, Pt. 8: Ustad Zakir Hussain Talks Tabla" reviewed by Karl Ackermann


Origins of the Tabla The twin hand drum was developed in its current form about 300 years ago on the Indian subcontinent but the roots of the tabla may date to pre-Muslim, Arabia. The name comes from “tabl," the Arabic word for drum, and temple carvings of tabla-like double-hand drums date to 500 BCE. Tabla is commonly used in India, Bangladesh, Pakistan, Nepal, Afghanistan, and Sri Lanka. The drum's use crosses most genres in that region; it is used in ...

17

Interview

Zakir Hussain: Making Music, Part 2-2

Read "Zakir Hussain: Making Music, Part 2-2" reviewed by Ian Patterson


Part 1 | Part 2 It seemed inevitable that Zakir Hussain would collaborate with jazz musicians as the '70s unfolded. Jazz had been sidling up to Indian classical music gradually since the early '60s. In 1962, Gary Peacock and Bud Shank played on Ravi Shankar's album Improvisations (World Pacific), although this was very much a Shankar album; flautist Shank played in Indian style, while Peacock's presence was subdued. The sitar also gravitated towards jazz, ...

20

Interview

Zakir Hussain: Making Music, Part 1-2

Read "Zakir Hussain: Making Music, Part 1-2" reviewed by Ian Patterson


"Everybody wants to play with Zakir. He's amazing..." The words were spoken by Herbie Hancock, one of many musicians who paid tribute to the great Indian tabla player and composer Zakir Hussain on the occasion of his Lifetime Achievement Award from the San Francisco Jazz Centre in 2017. In a short film made for the occasion, directed by Hussain's daughter, Anisa Qureshi, jazz luminaries Vijay Iyer, Eric Harland, Charles Lloyd and John McLaughlin paid glowing tribute to Hussain, ...

21

Building a Jazz Library

Zakir Hussain: The Best Jazz / Crossover Albums

Read "Zakir Hussain: The Best  Jazz / Crossover Albums" reviewed by Ian Patterson


Zakir Hussain turned 70 on March 9th. In an unparalleled career, which began in earnest aged 7, the man widely acclaimed as the world's greatest tabla player has played with the giants of both Indian classical music and jazz. It is hard to think of another musician who has straddled both worlds to such a prominent degree. Since the 1970s, Hussain has been at the forefront of so-called World Music, experimenting with Indo-rock in Shanti, pioneering pan-global rhythms ...


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