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About Wayne Shorter

Album Review

Miles Davis: Bitches Brew 40th Anniversary

Read "Bitches Brew 40th Anniversary" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Lussuria. Se ci fosse una legge che limita ad una sola parola le recensioni dei capolavori, questa sarebbe la nostra scelta per il cofanetto Bitches Brew 40th Anniversary, senza alcun dubbio. Per fortuna una legge del genere (per ora) non c'è e quindi possiamo aggiungere altre riflessioni per raccontare meglio la straordinaria importanza di Bitches Brew nel panorama delle arti di ogni tempo e per sottolineare il senso di meraviglia che questo splendido cofanetto ha suscitato anche in chi di ...

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Film Review

Live In Montreux 1996

Read "Live In Montreux 1996" reviewed by Jeff Stockton

by Jeff Stockton

Wayne ShorterLive at Montreux 1996 Eagle Eye Media2009

Wayne Shorter may look 20 years younger than 76, but he is quite simply one of the last giants, every bit as influential and artistically significant as Sonny Rollins, perhaps second only to John Coltrane when one considers his compositions and just how many of them have become jazz standards. Much of Shorter's legendary artistic output dates from the ...

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886

Live Review

Wayne Shorter Quartet with NEC Philharmonia, Boston

Read "Wayne Shorter Quartet with NEC Philharmonia, Boston" reviewed by Timothy J. O'Keefe

by Timothy J. O'Keefe

Wayne Shorter Quartet with NEC PhilharmoniaJordan Hall, New England ConservatoryBoston, MassachusettsOctober 24, 2009 Crushing waves, pound against jagged stone. Water breaks into spotted foam, falling, rising, then pounding again. The sounds splash and spray, captivating a stunned and silent audience. The Wayne Shorter Quartet took the stage for the final performance of the New England Conservatory's 40th anniversary celebration of jazz studies. For its second set, the Quartet was accompanied by the ...

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Film Review

Wayne Shorter: Live at Montreux 1996

Read "Wayne Shorter: Live at Montreux 1996" reviewed by John Kelman

by John Kelman

Wayne ShorterLive at Montreux 1996 Eagle Eye Media2009

Enigmatic and cerebral, saxophonist Wayne Shorter's still evolving legacy remains one of the richest in the world of living jazz icons. Still, despite some fine writing, his return to recording as a leader after a 10-year absence, High Life (Verve, 1995) was underappreciated and remains an undervalued footnote amongst his classic Blue Note albums and more recent discs, including the empathic Beyond ...

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Album Review

Wayne Shorter: The Soothsayer

Read "The Soothsayer" reviewed by Joel Roberts

by Joel Roberts

Wayne Shorter was setting the jazz world on fire at the time of this 1965 Blue Note session, now available as part of the Rudy van Gelder remaster series. The tenor saxophonist had just joined Miles Davis' quintet, with whom he'd go on to make six classic albums, and he'd recently released a milestone album of his own, 1964's Speak No Evil (Blue Note). The Soothsayer finds Shorter in the company of such stellar contemporaries as bassist ...

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Album Review

Wayne Shorter: The Soothsayer

Read "The Soothsayer" reviewed by Chris May

by Chris May

A good month for tenor saxophone connoisseurs, April 2008, with a second Rudy Van Gelder re-master released alongside Ike Quebec's signature Blue & Sentimental (Blue Note, 2008). The Soothsayer may be comparably less of a benchmark in Wayne Shorter's discography, and remains to some extent overshadowed by its close contemporary Speak No Evil (Blue Note, 1964), but it's a solid and enduring album--despite 15 years between the recording session and the original LP release.

Things were ...

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Album Review

Herbie Hancock: River: The Joni Letters

Read "River: The Joni Letters" reviewed by George Kanzler

by George Kanzler

The participation of such former and present Grammy nominees and winners as Norah Jones, Tina Turner, Corinne Bailey Rae, Luciana Souza and Leonard Cohen (reading “The Jungle Line" like a beat poet), as well as the iconic stature of Joni Mitchell herself, may have immeasurably helped in winning this CD the Grammy Album of the Year award. But that doesn't diminish the significance of it being the first jazz album to win the award in forty-three years. For make no ...

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