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Arturo O'Farrill & The Afro Latin Jazz Orchestra: Mundoagua: Celebrating Carla Bley
by Angelo Leonardi
Scoperto da Carla Bley nel 1979, quand'era ancora studente diciannovenne, e rimasto nei suoi gruppi per tre anni, Arturo O'Farrill ne celebra la memoria con quest'album ambizioso, che raccoglie due sue suites ed una ("Blue Palestine") che lui stesso commissionò alla grande autrice e bandleader nel 2019, quattro anni prima della sua morte. “Mundoagua" la composizione che apre il disco è stata scritta per commemorare l'Anno dell'acqua ed ha avuto la sua anteprima al Miller Theater di New ...
Continue ReadingArturo O'Farrill: Mundoagua: Celebrating Carla Bley
by Jack Bowers
Mundoagua, the latest album by composer and pianist Arturo O'Farrill's Afro Latin Jazz Orchestra, is subdivided into three suites, the second of which is the four-movement “Blue Palestine," written and arranged by another celebrated composer and pianist, Carla Bley, a leading light in the avant-garde free jazz movement of the mid-twentieth century, who died of cancer in October 2023. The opening suite, “Mundoagua," commissioned by the Columbia University School of the Arts in 2018 to commemorate the ...
Continue ReadingGino Amato: Latin Crossroads
by Richard J Salvucci
The urge to take advantage of a successful commercial genre never really dies. Back in the 1960s, a studio orchestra nominally assembled by bandleader Glen Gray released a recording, Sounds of the Great Bands in Latin (Capitol, 1964). It took tunes like “Early Autumn" or “A String of Pearls" and added a “Latin" flavor with jazz enhancements. No doubt, this was an early recognition of the success of Cal Tjader. The vinyl may or may not have done well, but ...
Continue ReadingMary Foster Conklin: These Precious Days
by Pierre Giroux
Mary Foster Conklin is a New York-based singer with an eclectic approach to the choices she makes in deciding upon a repetoire for her fifth release, These Precious Days. Unafraid to step outside the nine dots, she has focussed the project on lesser-known jazz and popular compositions by predominately female songwriters. Joining Conklin are a number of top shelf New York musicians including pianist and arranger John Di Martino, violinist Sara Caswell, bassist Ed Howard, drummer Vince Cherico, guitarist Guilherme ...
Continue ReadingCarlos Jimenez: Woods
by Richard J Salvucci
Carlos Jimenez is a kind of metaphor for Latin jazz, from Yonkers, New York, to Puerto Rico ("the island") and back, with instrumental and stylistic stops along the way. Jazz flute has had some storied practitioners, and Jiménez is obviously well along getting a foothold there too in this, his sixth album since 2005. Interestingly, Jiménez says Cuban percussionist Mongo Santamaría spurred his transition from brass to woodwind, which speaks volumes about the importance of polyrhythms to Latin jazz. If ...
Continue ReadingArturo O'Farrill & The Afro-Latin Jazz Ensemble: Dreaming In Lions
by Chris May
Music for dance comes in a variety of forms. At one end of the spectrum are abstract soundscapes composed without reference to the choreography with which they share the stage; an example being John Cage's work with the choreographer Merce Cunningham. At the other end of the spectrum is music written in close collaboration with the choreographer; an example being Igor Stravinsky's work for Sergei Diaghilev's Ballets Russes, which reached its peak in 1910 with The Firebird, jointly realized by ...
Continue ReadingAndrew Green: Dime Dancing: The Music Of Steely Dan
by Mark Sullivan
It is not hard to imagine jazz versions of Steely Dan songs, as they are rich in knotty harmonies and dark lyrics that belie their mainstream pop success. But you would probably have to be guitarist Andrew Green to imagine them arranged for chamber ensembles dominated by woodwinds and strings (as well as vocalist Miriam Waks and Green's guitar). Ironically, Green's dramatic departure from the iconic recordings grew out of his love for them: he was convinced that no rock ...
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