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Miho Hazama's M_Unit: Beyond Orbits
by Chris May
Beyond Orbits is the fêted composer and conductor Miho Hazama's fourth album with M_Unit. She founded the band in 2012, two years after moving from Tokyo to New York and while she was still studying for a masters in jazz composition at the Manhattan School of Music. Hazama released M_Unit's first album in 2013. The band's third, Dancer In Nowhere (Sunnyside, 2019), was nominated for a Grammy. Among her other achievements, Hazama was in 2019 appointed chief ...
Continue ReadingJohn La Barbera Big Band: Grooveyard
by Jack Bowers
Composer/arranger John La Barbera has been at the top of his game for more than half a century, and Grooveyard is simply another example of his undiminished artistry. Besides arranging everything--superbly, as always--La Barbera wrote six of the session's ten charming songs, escorting other treasures by Carl Perkins, Dave Brubeck, Curtis Fuller and Elvin Jones. As he writes his handsome and colorful big-band charts, La Barbera is always careful to observe Rule No. 1: they have to ...
Continue ReadingPete McCann: Without Question
by Jack Bowers
Guitarist and composer Pete McCann pulls out all the stops on Without Question, his seventh album as leader, unveiling his singular talents on everything from burners ("Without Question," “Trifecta") to ballads ("I Can Remember," “January," “Lost City"), blues ("Blues for O.M."), burlesque ("Conspiracy Theory"), biting commentary ("Erase the Hate") and borrowed themes ("Lovely Thing"). McCann, a native of Wisconsin who has been a fixture on the New York scene for more than thirty years, is also smart--smart enough, that is, ...
Continue ReadingBill Bruford: The Summerfold Collection 1987-2008
by John Kelman
Intrepid percussionist/composer/bandleader Bill Bruford began his career in the late '60s art-rock arena with Yes and, later, King Crimson, but jazz has always moved underneath, like an eddying current. His early recordings, well documented on the companion Winterfold Collection, may not speak the language of jazz, but they possess its spirit. By 1986, Bruford was looking for a new path. Crimson had again dissolved, the 1981-'84 incarnation having provided him with the opportunity to explore nascent electronic drum ...
Continue ReadingThe John La Barbera Big Band: Grooveyard
by Nicholas F. Mondello
The geometry, if you will, of a terrific big band recording is such that the three major elements--the players, the arrangements, and the performance--balance in every regard. Grooveyard from the John La Barbera Big Band is such an offering. The album features ten masterfully selected, arranged, and performed selections, each containing outstanding section, solo, and ensemble playing. Wes Montgomery's “Grooveyard" launches a hip, swinging first course in which tenor man Pat La Barbera and guitarist Brandon Coleman ...
Continue ReadingNoah Haidu: Standards
by Jack Bowers
Forty years after the renowned Standards Trio comprised of Keith Jarrett, Gary Peacock and Jack DeJohnette released its debut album, Standards, Vol. 1, New York-based pianist Noah Haidu pays his respects with a similarly named enterprise (sans volume number) featuring bassists Buster Williams or Peter Washington and drummer Lewis Nash, with saxophonist Steve Wilson making it a quartet on four numbers. The Standards Trio's body of work “brought me inspiration, solace and happiness," Haidu writes in the ...
Continue ReadingMichael Davis - Hip-Bone Big Band: Open City
by Jerome Wilson
Michael Davis is an accomplished trombonist who has had a long career of live and studio work accompanying a varied roster of big-name jazz and rock talents such as The Rolling Stones, Bob Dylan, Bob Mintzer, Buddy Rich, Paul Simon, and Sarah Vaughan. He is also an established solo artist and composer who leads an imposing large ensemble, the Hip-Bone Big Band. The big band's second album is an exuberant affair which reflects the joy of getting back ...
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