Jazz Articles about Steve Wilson

About Steve Wilson

Album Review

Il nome di Rin Seo si aggiunge al numero delle talentose musiciste di origine asiatica che nell'ultimo ventennio hanno mostrato d'aver creativamente assimilato l'idioma musicale afro-americano. Tra esse non mancano le orchestratrici che ottengono risultati eccellenti anche grazie alla solida preparazione negli studi classici. Nata in Corea 36 anni fa, Rin Seo s'è laureata in composizione classica a Seul e s'è trasferita negli Stati Uniti per studiare al Berklee College of Music. Dopo il diploma ha conseguito un master ...

Radio & Podcasts

Classic Jazz from Sonny Rollins, Kenny Dorham, and others; recently released music from Steve Wilson, Snarky Puppy, and more

by David W. Daniels
May 19, 2026

In addition to the artists mentioned above, classic jazz vocals from Sarah Vaughan and Billy Eckstine together, and Gloria Lynn are included in this week's show as well as other instrumental artists. A pending release from the Helen Sung Big Band is sampled, and new music from The Sistering and Altin Sencalar is featured. Birthday recognition for Benito Gonzalez, Gil Evans, Billy Cobham, and others is provided in this week's show.Playlist Steve Turre “Exploration" from Sanctified Shells (Antilles) ...

Album Review

Steve Wilson: Enduring Sonance

Read "Enduring Sonance" reviewed by Andrew Schinder

by Andrew Schinder
May 1, 2026

Virginia-born, New York-based alto saxophonist and multi-instrumentalist Steve Wilson has created a sonic palette overflowing with delightfulness with Enduring Sonance, Wilson's debut album. Wilson's trademark dulcet tones fill the record, which eschews any hint of difficulty or impenetrability in favor of pure pleasure and musical expertise. Enduring Sonance is calculatedly straight-ahead, an exercise in accessibility without sacrificing sophistication. Wilson is supported by a tight, powerhouse backing band. The brilliant pianist Renee Rosnes, who has a longstanding relationship with Wilson, is ...

Album Review

Didier Lockwood: Storyboard (Vinyl Reissue)

Read "Storyboard (Vinyl Reissue)" reviewed by Artur Moral

by Artur Moral
April 23, 2026

You might sometimes wonder about the usefulness of reissues--and all the more so in these times when many past gems, though physically unobtainable, are just a click away on the various content platforms. Setting aside die-hard audiophiles, tactile purists and compulsive completists, the truth is that these new pressings represent a golden opportunity for those unfamiliar with the original albums to discover them in all their voluptuous vintage tangibility. And for those who have already savored them, there is that ...

Interview

Steve Wilson: Creating Sonance

by Andrew Schinder
March 26, 2026

Steve Wilson is a mainstay of the New York jazz scene. Born and raised in Hampton, Virginia, the alto saxophonist/multi-instrumentalist stood as one of the Virginia region's most acclaimed and sought-after touring and gigging musicians until his move to New York in 1987. Once settled in New York, Wilson worked. And worked. And then worked some more. Positioning himself as a “musician's musician," Wilson gradually rose to prominence as one of NYC's premier alto saxophonists and one of its most ...

Album Review

Maria Schneider Orchestra: American Crow

Read "American Crow" reviewed by Dan McClenaghan

by Dan McClenaghan
March 24, 2026

Maria Schneider has a thing for birds. Credible sources have reported sightings of the jazz composer frequenting Central Park wearing a floppy hat, a pair of binoculars hanging from her neck. Her 20-plus minute “Cerulean Skies," from her album (one of her masterpieces) Sky Blue (ArtistShare, 2007) speaks to her love for birds; her fascination with their migratory nature and their arduous flights, which span continents and beyond. The composition “Bluebird," from the “Our Natural World"' half of her 2-disc ...

Album Review

Anthony Branker: Manifestations of a Diasporic Groove & Spirit

Read "Manifestations of a Diasporic Groove & Spirit" reviewed by Dan McClenaghan

by Dan McClenaghan
March 10, 2026

At the time of this writing (early 2026), the United States is beset by an odious president, a racist sociopath who seems hellbent on erasing all references to achievement or success of anyone of African descent--leaving aside that we are all of African descent; but some made the relocation to North America involuntarily. Stubborn resistance and unvarnished artistic statement--shoulders pulled back, chins jutting forward--are tools to fight the evil fool(s), and Anthony Branker does his part. Uppity (2013), ...