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Spike Wilner Trio Contrafactus: The Children & The Warlock
by Jack Bowers
A parodist might quip that Trio Contrafactus is simply another name for a quartet, as that is what pianist and entreprenuer Spike Wilner is leading on his new recording, The Children & the Warlock, wherein Wilner and his rhythm section (Paul Gill, bass; Anthony Pinciotti, drums) are flanked by renowned tenor saxophonist George Garzone. Wilner writes that the album is a tribute to one of his teachers, the late pianist and composer Harry Whitaker, who wrote its ...
Continue ReadingSpike Wilner Trio: Contrafactus
by Pierre Giroux
Pianist Spike Wilner, bassist Paul Gill and drummer Anthony Pinciotti have crafted an exquisite jazz listening experience in their release Contrafactus. Recorded in a single session, with only one take at GB's Juke Joint, the spontaneity and cohesion of the trio are manifest throughout the eleven compositions which seamlessly blend Wilner's original compositions with some better-known standards. The album opens with a Wilner original, “At First Blush," which is a lively and infectious swinger. Wilner dashes ...
Continue ReadingGeorge Coleman: Live At Smalls Jazz Club
by Jack Bowers
Tenor saxophonist George Coleman, one week past his eighty-seventh birthday when Live at Smalls Jazz Club was recorded in March 2022, has not yielded an inch to Father Time, skating up and down his horn with the awareness and agility of someone many years his junior. It is entirely appropriate that this album should be a part of the Smalls Living Legend series, as Coleman easily qualifies for that honor. Before appraising the music, a brief side ...
Continue ReadingGeorge Coleman: Live At Smalls Jazz Club
by Pierre Giroux
If you are an aficionado of tenor saxophonists with a big, bold, biting tone who can run changes in the blink of an eye, then George Coleman is your man. Now in his 88th year, over the course of his long career, he has had a gamut of experiences including B.B. King (1952/1955-56), Max Roach (1958-59), Slide Hampton (1959-61) and Miles Davis (1963-64). His discography both as a leader/co-leader as well as a sideman covers a panoply of well-known jazz ...
Continue ReadingJesse Davis: Live at Smalls Jazz Club
by Jack Bowers
Alto saxophone master Sonny Stitt always chafed when he was called “little Bird," a reference to the greatest alto of them all, Charlie Parker. “I'm not a little Bird," he would say, “I'm me; Sonny Stitt." In similar fashion, Jesse Davis would probably shrug off any comparison to another of the instrument's esteemed patriarchs, the late Julian “Cannonball" Adderley. Even so, such a connection is hardly misplaced. To some ears, Davis is the nearest thing to Cannonball since...well, Cannonball himself. ...
Continue ReadingSpike Wilner Trio: Plays Monk & Ellington
by Pierre Giroux
There have probably not been two more disparate individuals in jazz than the pianists Duke Ellington and Thelonious Monk. Ellington was a florid individual in all aspects of his life, with his speaking style, his sartorial choices, and his compositions which were informed by ever-growing inspirational sources. In contrast, Monk was introverted and generally uncommunicative; his compositional style was linear and succinct, and he was generally more comfortable playing his own material. Pianist Spike Wilner, who had great admiration for ...
Continue ReadingSpike Wilner Trio: Plays Monk & Ellington
by Jack Bowers
Not to mince words, this is a splendid album by New York-based pianist Spike Wilner and his trio, recorded in January 2022 at GP's Juke Joint, which must double as a recording studio, as there is no audience. No matter the venue, it is difficult to wander too far astray when playing the music of Thelonious Monk and Duke Ellington, even though the album could have been called Plays Monk & Ellington & Strayhorn as the last two numbers, “U.M.M.G." ...
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