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About Satoshi Takeishi
Quinsin Nachoff: Patterns from Nature
by Glenn Astarita
Quinsin Nachoff, a Canadian-born saxophonist and composer now based in New York, has long pursued deep connections between music, science, and visual form. Patterns from Nature grew from an extended collaboration with physicist Dr. Stephen Morris of the University of Toronto, drawing on concepts of emergent order in natural systems. The project spread itself across several formats--a recorded suite, a film with contributions from four filmmakers, and live multimedia performances--and assembles an exceptional cast: pianist Matt Mitchell, clarinetist François Houle, ...
Continue ReadingLeslie Pintchik: Prayer For What Remains
by Jack Bowers
Pianist and composer Leslie Pintchik abandoned a promising career as an educator at New York's Columbia University in favor of writing and playing piano full-time. What has become clear since then, and especially on her eighth album, Prayer for What Remains, is that academia's loss is beyond any doubt the jazz world's gain. Pintchik leads her working trio here, with guest appearances by the esteemed soprano saxophonist Steve Wilson on two numbers and percussionist Satoshi Takeishi on ...
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Ben Monder: Planetarium
by Vic Albani
Ben Monder chi? In Italia è piuttosto difficile incontrare qualcuno che conosca bene il lavoro di questo sessantatreenne signore newyorchese. Inquadriamolo: chitarrista di spicco nell'area newyorkese da oltre un trentennio, Ben ha lavorato con importanti nomi della musica moderna come (tra i tanti) Marc Johnson, Lee Konitz, Andrew Cyrille, George Garzone, Paul Motian, Maria Schneider, ma forse il suo nome è noto per il fatto di essere stato chitarrista dell'ultimo album inciso da David Bowie Blackstar.
Continue ReadingLeslie Pintchik: Prayer For What Remains
by Dan McClenaghan
As a doctoral candidate at Columbia University studying 17th-century English literature and working as a teaching assistant, Leslie Pintchik could have moved into a life of academia. But, an old story: jazz called. She wanted a music career. A clear-eyed financial advisor might have tried to dissuade her, pointing out the problems and pitfalls of making a living in jazz. She probably would not have listened. In 2024, with eight fine albums under her belt, she offers up number nine, ...
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Anna Webber: Idiom
by Stefano Merighi
Già da oltre un decennio, la complessità della canadese Anna Webber (sax tenore, flauto, composizione) ci interroga sulla possibilità di compenetrare nel jazz di oggi mente e corpo, attitudine concettuale e abbandono rituale. Non è la prima, ovviamente, a lambire questi territori impervi. Si situa, forse, in una geografia sonora che parte da Cecil Taylor e attraversa le gigantesche ombre di Anthony Braxton e Henry Threadgill. Ma, velocemente, sta atterrando in un pianeta sonoro totalmente proprio, come dimostra questo doppio ...
Continue ReadingAnna Webber: Idiom
by Hrayr Attarian
Award winning composer, saxophonist and flautist Anna Webber is a restless innovator and musical individualist. Her ninth release as a leader, the sublime and magnificent two-disc Idiom is an ambitious project which Webber pulls off brilliantly and with elegance. Five compositions from the “Idiom" series are represented here. Four are in a sparse trio setting while “Idiom VI," which fills the entire second disc, is with a large ensemble. Another one, “Idiom II," (not included here) appeared on Webber's Clockwise ...
Continue ReadingAnna Webber: Idiom
by Mark Corroto
Is Idiom, from composer, saxophonist, and flutist Anna Webber, new classical music or jazz? Yes. Is the music scored or improvised? Again, yes. Last question: Is it demanding or easy on the ears? Both. On the heels of two stellar releases, the septet Clockwise (Pi Recordings, 2019) and the Webber/Morris Big Band recording Both Are True (Greenleaf Music, 2020), Webber was commissioned to present Idiom VI at John Zorn's Stone series. She expanded the material from one track heard on ...
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