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Maria Schneider Orchestra: Data Lords
by Jerome Wilson
Composer Maria Schneider has long been writing and speaking about the dangers of the omnipresent digital universe, intellectual property theft, gathering and manipulation of personal data by big tech companies, the unchecked proliferation of false and misleading material, and so on. Those concerns form the basis of her latest musical project, Data Lords, a 2 CD set examining the conflicting realities of the digital and real worlds. The two CDs are labeled “The Digital World" and “Our Natural ...
Continue ReadingMaria Schneider: Data Lords
by Doug Hall
Maria Schneider, jazz pianist, orchestral composer and 2019 NEA Jazz Master, has just released a new double-album, Data Lords (artistShare, 2020), which creates poignant musical imagery about our data-driven world. Schneider, who has been an active advocate for musicians' rights and copyright, has followed-on this impact, citing “big data" companies as manipulators of music, culture and privacy. This collection of uniquely and emotionally rendered original compositions addresses the conflicting relationships between the digital and natural worlds, featuring Schneider's orchestra of ...
Continue ReadingDave Pietro: Hypersphere
by Paul Rauch
You may not know the name Dave Pietro offhand, but it is likely, if you are a jazz fan of any sort, that you have heard him play. As a saxophone/woodwind artist, composer, educator, sideman, and bandleader, he has performed across a broad spectrum of projects since his becoming a mainstay on the New York scene in 1987. That aspect of his career has enabled a sizable skill set that transfers over into his personal projects. His compositional ...
Continue ReadingMaria Schneider Orchestra: Data Lords
by Karl Ackermann
The skillfully designed cover art tells part of the story; a leaf--half as nature intended--the remainder, a circuit board doppelganger. The pastoral soundscapes associated with the music of Grammy-winning composer/bandleader Maria Schneider belie her activist alter-ego. An outspoken critic of copyright protections, prejudicial revenue schemes and the abuses of “big data," Schneider has authored op-eds and testified before the US Congress. She ventures onto unfamiliar terrain, coalescing her passions on a masterwork double album, Data Lords. The two ...
Continue ReadingJoe Fielder's Big Sackbut: Live In Graz
by Dan McClenaghan
Trombonist Joe Fielder offers up Joe Fielder's Big Sackbut--Live In Graz, the group's second recording, a follow-up to the 2012 eponymous Yellow Sound Label debut and 2013's Sackbut Stomp (Multiphonics Music). The line-up is three trombones (Ryan Keberle, Luis Bonilla and Fielder) and a tuba (Jon Sass), so it isn't hard to imagine what the sound is like: bold, brassy, full bodied, rich-toned. And surprisingly edgy at times. So what is a sackbut, anyways? It sounds like the ...
Continue ReadingRyan Keberle & Catharsis: Find the Common, Shine a Light
by Angelo Leonardi
Pur confermando l'avvincente impronta stilistica evidenziata nei tre album precedenti, il pianoless quintet di Ryan Keberle presenta un lavoro leggermente disorganico e musicalmente più superficiale dei precedenti, forse perchè distolto da un intento politico (contestare l'elezione presidenziale statunitense del 2016). Il percorso musicale raccoglie due famosi temi della contestazione giovanile degli anni sessanta («The Times They Are A-Changin'» di Bob Dylan e «The Fool on the Hill» dei Beatles), il poetico song dell'uruguaiano Jorge Drexler --«Al Otro Lado Del Rio» ...
Continue ReadingRyan Keberle
by Paolo Peviani
Il tratto principale della mia musica Secondo me, le melodie orecchiabili. La qualità che desidero nei musicisti che suonano con me La capacità di rispondere alle esigenze intellettuali del jazz, e al tempo stesso di creare in modo spontaneo musica sincera e bella. Come musicista, il momento in cui sono stato più felice Quando suono musica basata sull'improvvisazione, con musicisti che amo e rispetto. Come musicista, il mio principale ...
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