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Jazz Articles about Ryan Keberle


About Ryan Keberle

46

Album Review

Quinsin Nachoff: Patterns from Nature

Read "Patterns from Nature" reviewed by Glenn Astarita

by Glenn Astarita

Quinsin Nachoff, a Canadian-born saxophonist and composer now based in New York, has long pursued deep connections between music, science, and visual form. Patterns from Nature grew from an extended collaboration with physicist Dr. Stephen Morris of the University of Toronto, drawing on concepts of emergent order in natural systems. The project spread itself across several formats--a recorded suite, a film with contributions from four filmmakers, and live multimedia performances--and assembles an exceptional cast: pianist Matt Mitchell, clarinetist François Houle, ...

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10

Album Review

Maria Schneider Orchestra: American Crow

Read "American Crow" reviewed by Dan McClenaghan

by Dan McClenaghan

Maria Schneider has a thing for birds. Credible sources have reported sightings of the jazz composer frequenting Central Park wearing a floppy hat, a pair of binoculars hanging from her neck. Her 20-plus minute “Cerulean Skies," from her album (one of her masterpieces) Sky Blue (ArtistShare, 2007) speaks to her love for birds; her fascination with their migratory nature and their arduous flights, which span continents and beyond. The composition “Bluebird," from the “Our Natural World"' half of her 2-disc ...

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13

Album Review

Ryan Keberle & Collectiv do Brasil: Choro das Aguas

Read "Choro das Aguas" reviewed by Katchie Cartwright

by Katchie Cartwright

Ryan Keberle began to study music at age four in Spokane, first at the piano with his mother, Ann, followed by Suzuki violin lessons. His father Dan, a university jazz director, encouraged him to pick up the trombone at 10, for the sensible reason that he always seemed to be short a trombonist in his ensembles. Ryan acquiesced, and it has served him well. He was playing in adult big bands at 15, and is on ...

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1

Radio & Podcasts

Joel Frahm, Ryan Keberle, Eddie Moore, Thomas Fonnesbaek & Adam Galblum

Read "Joel Frahm, Ryan Keberle, Eddie Moore, Thomas Fonnesbaek & Adam Galblum" reviewed by Joe Dimino

by Joe Dimino

We kick off the 913th episode of Neon Jazz with the rich, swinging sound of Kansas City violinist and bandleader Adam Galblum, leading his Hot Club KC ensemble. The show opens with the title track from his fresh 2025 release, Dream Dancing--a vibrant nod to vintage jazz with modern flair. From there, we stay rooted in the KC scene with standout cuts from some of the city's brightest voices--Eddie Moore, the electrifying All Night Trio led by Matt Villinger, and ...

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Album Review

Ryan Truesdell: Shades of Sound

Read "Shades of Sound" reviewed by Angelo Leonardi

by Angelo Leonardi

Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...

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5

Album Review

Ryan Truesdell / Gil Evans Project: Shades Of Sound

Read "Shades Of Sound" reviewed by Jack Kenny

by Jack Kenny

Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...

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7

Album Review

Ryan Truesdell: Shades Of Sound

Read "Shades Of Sound" reviewed by Pierre Giroux

by Pierre Giroux

Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...

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