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Jazz Articles about Rufus Reid
Ryan Truesdell: Synthesis: The String Quartet Sessions
by Angelo Leonardi
«L'idea di Synthesis--dice Ryan Truesdell presentando il progetto--è nata dalla consapevolezza che molti compositori di jazz traggono ispirazione dalla scrittura per quartetto d'archi di eminenti compositori classici come Bartok, Brahms e Ravel, e dalla necessità di trovare un modo realistico e al tempo stesso stimolante per creare musica insieme». Il giovane orchestratore, divenuto famoso per aver dato vita a inedite partiture di Gil Evans, presenta un progetto di 17 composizioni per quartetto d'archi (alcune in forma di ...
Continue ReadingChris Rottmayer: Being
by Richard J Salvucci
One thing is for sure. If a listener comes upon a recording based on the music of Mulgrew Miller and Woody Shaw, there are unlimited possibilities for a harmonic education. Both players were revered for their sophistication and the beauty of the melodies they created. So it hardly seems odd that someone, here pianist Chris Rottmayer, would have made an academic study of what they were doing. Ordinarily, even an academic might think “what a frightful idea," but Rottmayer understood ...
Continue ReadingNick Finzer: Legacy
by Pierre Giroux
In the realm of jazz, the legacy of J.J. Johnson looms large and immutable, casting an indelible shadow over the trombone's narrative. It is with reverence and a touch of audacity that trombonist Nick Finzer undertakes the task of honoring this titan with his album Legacy a centennial celebration of JJ Johnson. Joined by a stellar ensemble featuring Renee Rosnes, who served as the pianist in Johnson's quintet from 1989 to 1997, bassist Rufus Reid and drummer Lewis Nash, Finzer ...
Continue ReadingChris Rottmayer: Being
by Jack Bowers
On Being, his fourth album as leader, Wisconsin-based pianist Chris Rottmayer has chosen to appraise the music of pianist Mulgrew Miller, as written for and performed by the Woody Shaw Quintet. Russ Johnson sits in for Shaw on trumpet and flugelhorn, while the celebrated bassist Rufus Reid and drummer Matt Endres round out the quartet's capable rhythm section. Half of the album's ten numbers arose from Rottmayer's study of Miller's work with Shaw; the other five are ...
Continue ReadingChris Rottmayer: Being
by Troy Dostert
Pianist Chris Rottmayer has been a valued presence in the Madison, Wisconsin jazz scene for some time, both as a faculty member at the University of Wisconsin and as the leader of a couple of well-conceived albums. His Sunday at Pilars (Pilars, 2019) and So in Love (self-released, 2020) reveal a self-assured musician who can handle classic repertoire with authority. But his latest effort, Being, ups the ante by offering a collection of his own compositions, in this instance animated ...
Continue ReadingJohn La Barbera Big Band: Grooveyard
by Jack Bowers
Composer/arranger John La Barbera has been at the top of his game for more than half a century, and Grooveyard is simply another example of his undiminished artistry. Besides arranging everything--superbly, as always--La Barbera wrote six of the session's ten charming songs, escorting other treasures by Carl Perkins, Dave Brubeck, Curtis Fuller and Elvin Jones. As he writes his handsome and colorful big-band charts, La Barbera is always careful to observe Rule No. 1: they have to ...
Continue ReadingThe John La Barbera Big Band: Grooveyard
by Nicholas F. Mondello
The geometry, if you will, of a terrific big band recording is such that the three major elements--the players, the arrangements, and the performance--balance in every regard. Grooveyard from the John La Barbera Big Band is such an offering. The album features ten masterfully selected, arranged, and performed selections, each containing outstanding section, solo, and ensemble playing. Wes Montgomery's “Grooveyard" launches a hip, swinging first course in which tenor man Pat La Barbera and guitarist Brandon Coleman ...
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