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Jazz Articles about Rob Brown

8
Album Review

Rob Brown / Juan Pablo Carletti: Fertile Garden

Read "Fertile Garden" reviewed by Mark Corroto


Alto saxophonist Rob Brown has always been accompanied by adroit and masterful drummers. Throughout his career he can be heard with the likes of Denis Charles, Jackson Krall, Lou Grassi, Warren Smith, Marc Edwards, Satoshi Takeishi, Whit Dickey, Luther Gray, Andrew Barker, Gerald Cleaver, and Hamid Drake. With the release Fertile Garden, add to that list the Argentine-born, New York resident Juan Pablo Carletti. Carletti can be heard in Rob Brown's quartet, also in duo with cellist Daniel ...

7
Album Review

Whit Dickey Quartet: Astral Long Form: Staircase In Space

Read "Astral Long Form: Staircase In Space" reviewed by Mark Corroto


As leader of the Whit Dickey Quartet, the drummer placed total faith in his bandmates for this studio session. The accompanying materials quote Dickey, “I asked them all to not think of time too much; I just wanted them to play, not to follow me or each other." Was that instruction made out of confidence or recklessness? One might say reckless if the lineup were other than the seasoned improvisers the leader assembled. Dickey might be best known ...

15
Album Review

Matthew Shipp - Rob Brown: Then Now

Read "Then Now" reviewed by Karl Ackermann


The piano and saxophone duo of Matthew Shipp and Rob Brown has a musical history which dates back three decades to Sonic Explorations (Cadence, 1988) but they have recorded in this formation sparingly, only releasing one other album, Blink of an Eye (No More Records, 1997). The balance which developed at the start of both of their recording careers has not gone out of sync despite the chronological gap between projects. On Then Now, the maturity and accumulated proficiency of ...

4
Album Review

Matthew Shipp / Rob Brown: Then Now

Read "Then Now" reviewed by John Sharpe


Then Now presents a reprise of both pianist Matthew Shipp's and alto saxophonist Rob Brown's debut recording, a duet entitled Sonic Explorations (CJR, 1988). Though they have occasionally collaborated since—last heard together on Magnetism(s) (Rogue Art, 2017) alongside bassist William Parker—this is their first album as a twosome since Blink Of An Eye (No More, 1997). With Shipp so frequently in tandem with Brazilian saxophonist Ivo Perelman, it is almost a shock to hear him in this format in different ...

20
Album Review

Rob Brown - Matthew Shipp: Then Now

Read "Then Now" reviewed by Glenn Astarita


Much could be written about pianist Matthew Shipp and saxophonist Rob Brown's respective legacies within progressive jazz and improvisational circles in the US and abroad. Hence, these narratives are well-documented spanning several decades. On this release, the duo aligns for the third time, following Sonic Explorations (Cadence, 1988) and Blink of an Eye (No More Records, 1997). After all these years, their collective creative sparks remain intact as they embark on a continuous construction project without blueprints via spontaneous trajectories ...

23
Album Review

Whit Dickey Trio: Expanding Light

Read "Expanding Light" reviewed by Glenn Astarita


Highly respected, longtime New York City-based drummer Whit Dickey, frequent collaborator, and laudable alto saxophonist Rob Brown and young bassist Brandon Lopez consummate this trio's debut recording. As most would surmise, the musicians explore and refresh the peripheries of free jazz improvisation. Dickey and Brown's involvement with the always fertile NY improv scene is well-documented. Here, the band takes a democratic approach with close-knit interactions and formidable upfront asymmetrical grooves using space to impart breathing room and gradual ...

1
Album Review

Whit Dickey: Tao Quartets: Peace Planet & Box of Light

Read "Tao Quartets: Peace Planet & Box of Light" reviewed by Giuseppe Segala


Possiamo dire che l'assioma secondo il quale tutti i jazzisti sono sottovalutati, non sia poi così paradossale. Parliamo naturalmente dei musicisti che mettono al primo posto del loro operato il fare artistico e non la realizzazione di un prodotto solo ben accetto sul mercato. Spesso ci troviamo di fronte a musicisti che subiscono tale disattenzione in modo ancora più evidente, se confrontata alla mole e alla qualità del loro lavoro. Quest'ultimo concetto è sottolineato da Clifford Allen nelle ampie note ...


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