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Album Review

Whit Dickey Quartet: Astral Long Form: Staircase In Space

Read "Astral Long Form: Staircase In Space" reviewed by Alberto Bazzurro

Al suo secondo album in veste di leader per i tipi della Tao Forms dopo l'eccellente Village Mothership, in trio con Matthew Shipp e William Parker (estensore delle note di copertina di questo nuovo capitolo, inciso nel febbraio 2021), Whit Dickey coglie altrettanto felicemente (e, diremmo, naturalmente) nel segno alla testa di questo quartetto (tutti suoi i brani in scaletta), estremamente agguerrito e forte di individualità (a cominciare da Mat Maneri, uno che caratterizza sempre massicciamente ogni lavoro a cui ...

Album Review

Rob Brown/ Juan Pablo Carletti: Fertile Garden

Read "Fertile Garden" reviewed by John Sharpe

Two regular collaborators, alto saxophonist Rob Brown and Argentinean drummer Juan Pablo Carletti, unite in unbridled dialogue on Fertile Garden, a studio date from August 2020. Brown's considerable talents should be well-known, vouchsafed by his tenure in the bands of bassist William Parker over many years and appearances with the likes of drummer Whit Dickey and pianist Matthew Shipp. Since moving to New York City in 2006, Carletti has become a fixture on the Brooklyn scene, where he teamed up ...

Album Review

Rob Brown / Juan Pablo Carletti: Fertile Garden

Read "Fertile Garden" reviewed by Mark Corroto

Alto saxophonist Rob Brown has always been accompanied by adroit and masterful drummers. Throughout his career he can be heard with the likes of Denis Charles, Jackson Krall, Lou Grassi, Warren Smith, Marc Edwards, Satoshi Takeishi, Whit Dickey, Luther Gray, Andrew Barker, Gerald Cleaver, and Hamid Drake. With the release Fertile Garden, add to that list the Argentine-born, New York resident Juan Pablo Carletti. Carletti can be heard in Rob Brown's quartet, also in duo with cellist Daniel ...

Album Review

Whit Dickey Quartet: Astral Long Form: Staircase In Space

Read "Astral Long Form: Staircase In Space" reviewed by Mark Corroto

As leader of the Whit Dickey Quartet, the drummer placed total faith in his bandmates for this studio session. The accompanying materials quote Dickey, “I asked them all to not think of time too much; I just wanted them to play, not to follow me or each other." Was that instruction made out of confidence or recklessness? One might say reckless if the lineup were other than the seasoned improvisers the leader assembled. Dickey might be best known ...

Album Review

Matthew Shipp - Rob Brown: Then Now

Read "Then Now" reviewed by Karl Ackermann

The piano and saxophone duo of Matthew Shipp and Rob Brown has a musical history which dates back three decades to Sonic Explorations (Cadence, 1988) but they have recorded in this formation sparingly, only releasing one other album, Blink of an Eye (No More Records, 1997). The balance which developed at the start of both of their recording careers has not gone out of sync despite the chronological gap between projects. On Then Now, the maturity and accumulated proficiency of ...

Album Review

Matthew Shipp / Rob Brown: Then Now

Read "Then Now" reviewed by John Sharpe

Then Now presents a reprise of both pianist Matthew Shipp's and alto saxophonist Rob Brown's debut recording, a duet entitled Sonic Explorations (CJR, 1988). Though they have occasionally collaborated since—last heard together on Magnetism(s) (Rogue Art, 2017) alongside bassist William Parker—this is their first album as a twosome since Blink Of An Eye (No More, 1997). With Shipp so frequently in tandem with Brazilian saxophonist Ivo Perelman, it is almost a shock to hear him in this format in different ...

Album Review

Rob Brown - Matthew Shipp: Then Now

Read "Then Now" reviewed by Glenn Astarita

Much could be written about pianist Matthew Shipp and saxophonist Rob Brown's respective legacies within progressive jazz and improvisational circles in the US and abroad. Hence, these narratives are well-documented spanning several decades. On this release, the duo aligns for the third time, following Sonic Explorations (Cadence, 1988) and Blink of an Eye (No More Records, 1997). After all these years, their collective creative sparks remain intact as they embark on a continuous construction project without blueprints via spontaneous trajectories ...


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