Jazz Articles about Remy Le Boeuf

About Remy Le Boeuf

Album Review

Anthony Branker & Imagine: What Place Can Be for Us? - A Suite in Ten Movements

Read "What Place Can Be for Us? - A Suite in Ten Movements" reviewed by Angelo Leonardi

by Angelo Leonardi
October 9, 2023

L'avventuroso post-bop del compositore Anthony Branker, ben espresso dall'album Beauty Within del quintetto Imagine, trova nuovi e più articolati sviluppi in questo What Place Can Be for Us?. Il gruppo conferma il chitarrista Pete McCann e la coppia Fabian Almazan e Linda May Han Oh ampliandosi fino a un medio organico con alcuni dei massimi giovani strumentisti di New York: il trombettista Philip Dizack, i sassofonisti Walter Smith III e Remy Le Boeuf, il batterista Donald Edwards e la vocalist ...

Album Review

Eunmi Lee: Introspection

Read "Introspection" reviewed by Jack Bowers

by Jack Bowers
August 17, 2023

Eunmi Lee is a quick learner. The South Korean-born pianist, who now makes her home in New York City, did not become acquainted with or interested in jazz until a friend introduced her to the GRP Records catalogue. That was more than a year after she had received a degree in contemporary piano from the Seoul Institute for the Arts, in 2005. Eager to learn more, Lee came to California in 2007 to take part in an open house at ...

Album Review

Eunmi Lee: Introspection

Read "Introspection" reviewed by Dan McClenaghan

by Dan McClenaghan
June 19, 2023

Korean-born, New York-based pianist and composer Eunmi Lee opens her debut record, Introspection with her original composition, “Gimmick." And, if there is a gimmick, it sounds as if it might be her strong compositional voice and her way with an arrangement. The tune features Alan Ferber on trombone, saxophonist John Ellis, a guitar, bass and drums rhythm section, and Lee in the piano chair. In spite of the album's title, this opener is a bright, sassy roller. Maybe the gimmick ...

Album Review

Erica Seguine/Shon Baker Orchestra: The New Day Bends Light

Read "The New Day Bends Light" reviewed by Jack Bowers

by Jack Bowers
June 2, 2023

The New Day Bends Light, the debut recording by the twelve-year-old Erica Seguine/Shon Baker Orchestra, is interesting on a number of levels, not the least of which is emotional. The leaders and their twenty-one piece ensemble are clearly committed to the music and do their best to breathe life into each of the album's seven numbers, three of which were written by Seguine, three by Baker and the other ("Ose Shalom") by Nurit Hirsh. Aside from that, there is the ...

Liner Notes

Anthony Branker: What Place Can Be for Us? - A Suite in Ten Movements

by Michael Ambrosino
February 8, 2023

Ma Rainey channeled music as her ritual of “singing to understand life." Congressman John Lewis leveraged music towards the “good trouble" he created fighting for civil rights in an uncivil land. Anthony Branker understands music as the calculus of his life's work—the art of weaving words and sound into transcendent tapestries that explore the rich, complex, and nuanced aspects of intolerance, beauty, prejudice, spirituality, gender, equality and social justice. The composite of this artistry exists within the remarkable ...

Album Review

Remy Le Boeuf's Assembly of Shadows: Architecture of Storms

Read "Architecture of Storms" reviewed by Angelo Leonardi

by Angelo Leonardi
January 24, 2022

Remy Le Boeuf è uno dei nomi emergenti nell'ambito dell'arrangiamento e della conduzione orchestrale. Dopo il sorprendente Assembly of Shadows del 2019, il sassofonista e bandleader californiano (a New York dal 2004) torna con la sua orchestra irrobustita nel numero e nella qualità dei singoli componenti. Tra i nuovi ingressi troviamo in particolare il trombettista Mike Rodriguez e il sassofonista Dayna Stephens, che caratterizzano un paio di brani, anche se il lavoro di Le Boeuf è prettamente ...

Album Review

Remy Le Boeuf: Light as a Word

Read "Light as a Word" reviewed by Jordan Penney

by Jordan Penney
April 10, 2021

Light as a Word is the debut full-length album from saxophonist and composer Remy Le Boeuf as a leader, and it moves fluidly in liminal spaces. Its format and its performers—a sextet that includes piano, guitar, double bass, drums and tenor and alto sax—are firmly in a jazz idiom. But the songs themselves are more through-composed than is typical for a group such as this, and Le Boeuf's approach as a bandleader seems to involve carefully creating space for each ...