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Jazz Articles about Remy Le Boeuf

Album Review

Remy Le Boeuf: Heartland Radio

Read "Heartland Radio" reviewed by Angelo Leonardi


Nel 2022 Remy Le Boeuf s'è trasferito da New York a Denver per dirigere il dipartimento “Jazz and Commercial Studies" presso la Lamont School of Music della locale università. La colonna sonora di quel lungo viaggio in autostrada è stata la musica delle radio che alternavano pop, rock, rhythm & blues, country, dance ed altro. “Non c'è molto jazz in mezzo al Paese" ha ricordato l'orchestratore e sassofonista ma la musica di quest'album (che riflette le emozioni di quell'itinerario) ...

Album Review

Pascal Le Boeuf: Ritual Being

Read "Ritual Being" reviewed by Angelo Leonardi


Come il fratello gemello--il sassofonista Remy--anche Pascal Le Boeuf affianca al talento strumentale (di pianista) alte doti di scrittura per ampi organici. Dopo i primi lavori in gruppi condivisi, i due hanno espresso proprie individualità. Il primo s'è imposto tra i protagonisti della nuova orchestrazione jazzistica pubblicando Assembly of Shadows e Architecture of Storms. Il secondo ha dato vita ad altri progetti, tra cui il trio con Linda May Han Oh e Justin Brown (Pascal's Triangle, 2013), le collaborazioni col ...

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Album Review

Remy Le Boeuf’s Assembly of Shadows: Heartland Radio

Read "Heartland Radio" reviewed by Dan Bilawsky


This ear-grabbing date from Remy Le Boeuf's Assembly of Shadows--the band's third release, following its eponymous debut (in 2019) and Architecture of Storms (SoundSpore Records, 2021)--is a sonic mirror, reflecting the multihyphenate leader's recent travels in both life and sound. Influenced by an odyssey across inland America, sights encountered along the way, and the adventitious, airwaves-dictated soundtrack to the journey, Heartland Radio offers up a striking portrait of a Promethean artist with an unfettered imagination. Opening on ...

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Album Review

Erica Seguine: The New Day Bends Light

Read "The New Day Bends Light" reviewed by Angelo Leonardi


Impegnandosi nel ruolo di produttore, Darcy James Argue dà particolare considerazione al debutto discografico di quest'ensemble, fondato nel 2011 a New York dalle compositrici Erica Seguine e Shon Baker. La prima è anche arrangiatrice e guida dell'orchestra, la seconda entra nel cast come sassofonista. Dopo varie esibizioni in locali chiave della Big Apple, le due leader hanno selezionato sette composizioni originali dal loro repertorio, incidendole con un ampio organico comprendente talentuosi solisti della metropoli. Alcuni di essi ...

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Album Review

Remy Le Boeuf: Architecture of Storms

Read "Architecture of Storms" reviewed by Jack Bowers


It's hard to become bored or complacent when listening to Architecture of Storms, alto saxophonist Remy Le Boeuf's second album as leader of the twenty-member Assembly of Shadows orchestra. Every song is quite different from the others, and every one has its moments of shapeliness and charm. Le Boeuf arranged every number and composed all but Justin Vernon's “Minnesota, WI" and the album's nameplate, which he co-wrote with poet Sara Pirkle, he asserts, “on a brooding stormy ...

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Album Review

Anthony Branker & Imagine: What Place Can Be for Us? - A Suite in Ten Movements

Read "What Place Can Be for Us? - A Suite in Ten Movements" reviewed by Angelo Leonardi


L'avventuroso post-bop del compositore Anthony Branker, ben espresso dall'album Beauty Within del quintetto Imagine, trova nuovi e più articolati sviluppi in questo What Place Can Be for Us?. Il gruppo conferma il chitarrista Pete McCann e la coppia Fabian Almazan e Linda May Han Oh ampliandosi fino a un medio organico con alcuni dei massimi giovani strumentisti di New York: il trombettista Philip Dizack, i sassofonisti Walter Smith III e Remy Le Boeuf, il batterista Donald Edwards e la vocalist ...

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Album Review

Eunmi Lee: Introspection

Read "Introspection" reviewed by Jack Bowers


Eunmi Lee is a quick learner. The South Korean-born pianist, who now makes her home in New York City, did not become acquainted with or interested in jazz until a friend introduced her to the GRP Records catalogue. That was more than a year after she had received a degree in contemporary piano from the Seoul Institute for the Arts, in 2005. Eager to learn more, Lee came to California in 2007 to take part in an open house at ...


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