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Jazz Articles about Peter Washington

10
Album Review

Eric Scott Reed: Out Late

Read "Out Late" reviewed by Neil Duggan


Prioritizing energy and passion over musical precision, pianist Eric Scott Reed recorded every track on his album Out Late as a first take, with all musicians performing together in one room. Nothing was added later--this old-style approach gives the recording its vintage feel. As Reed explains, “We rehearsed a song for a few minutes, and once everybody got the melody under their fingers, we went ahead and made a track while it was fresh. The energy is there; the rawness ...

19
Album Review

Noah Haidu: Standards III

Read "Standards III" reviewed by Jack Bowers


Standards III, the ninth album by New York-based pianist Noah Haidu, is essentially a trio date with a guest appearance on one number ("Slipstream") by alto saxophonist Steve Wilson. As was true on Standards (Sunnyside, 2021) and Standards II (Sunnyside, 2024), the inclusion of several unfamiliar themes (including some by Haidu) stretches the meaning of “standard" well beyond what most listeners would consider acceptable. To be fair, there are a liberal number of standards on all three ...

7
Album Review

Noah Haidu: Standards III

Read "Standards III" reviewed by Pierre Giroux


Noah Haidu's Standards III is a study in jazz fluency--an exploration of melody, form, and interplay that reanimates familiar repertoire with both reverence and daring. Following the strong creative thread laid in the first two installments of the standards theme (Standards, 2023 and Standards II, 2024; both on Sunnyside), Haidu again enlists legendary bassist Buster Williams and veteran drummer Billy Hart, whose intuitive communication with the pianist borders on telepathic. Joining this outing is a younger trio, featuring bassist Gervis ...

7
Album Review

Sullivan Fortner: Southern Nights

Read "Southern Nights" reviewed by Pierre Giroux


On Southern Nights, pianist Sullivan Fortner sets out to capture lightning in a bottle and succeeds with radiant charm. Joined by the impeccable Peter Washington on bass and the restless Marcus Gilmore on drums, Fortner opts for total spontaneity: no rehearsals, no retakes, no isolation. The result is a recording that feels alive and as richly human as a live club set, yet marked by an almost telepathic cohesion. The album opens with the title track ...

Album Review

Jim Snidero: For All We Know

Read "For All We Know" reviewed by Alberto Bazzurro


Jim Snidero, californiano, sessantasei anni, collaborazioni che vanno da Tom Harrell a Frank Sinatra, è senza dubbio alcuno uno dei massimi paladini del mainstream jazz fin dai secondi anni Ottanta. Questo suo nuovo lavoro, inciso nell'ottobre 2023 nella tutto sommato singolare (nonché stimolante) formazione del trio senza pianoforte (o chitarra che sia), conferma appieno tale assioma, navigando su temi anche fra i più noti della letteratura jazzistica (nessun original), affrontati col giusto piglio e un'assoluta padronanza lessicale. ...

43
Album Review

Jeff Rupert: It Gets Better

Read "It Gets Better" reviewed by Jack Bowers


Florida-based tenor saxophonist Jeff Rupert leads a superlative quartet on It Gets Better, a graceful and charming album recorded September 2021 at the renowned Van Gelder Studio in New Jersey. While comparisons to other musicians are as a rule less than viable, the striking similarities between Rupert and the late jazz giant Stan Getz cannot simply be overlooked or ignored. As John Coltrane once said of Getz, “We'd all sound like that if we could." Not only can Rupert sound ...

30
Album Review

Ken Peplowski: Unheard Bird

Read "Unheard Bird" reviewed by Jack Bowers


Even when the recording (in this case, two) is a classic--as, for example, Charlie Parker's memorable Bird with Strings (Mercury Records, 1950)--some songs that deserve better are necessarily left on the cutting-room floor. Some may see that as disappointing, while others--like reed specialist Ken Peplowski--embrace it as an opportunity. On Unheard Bird, Peplowski--with strings and a core quartet--presents a series of fourteen generally likable themes, most of which were destined for Parker's album but were somehow passed over, and three ...


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