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Patricia Brennan: Of the Near and Far
by Angelo Leonardi
In un paio d'anni, Patricia Brennan è balzata ai vertici del jazz più innovativo. Se già il magistrale e pluripremiato Breaking Stretch (Pyroclastic Records, 2024) era un salto avanti rispetto ai precedenti More Touch (Pyroclastic Records, 2022) e Maquishti, stavolta la vibrafonista d'origine messicana presenta un'opera ancor più sorprendente, cambiando organico in un'esplorazione ambiziosa e audace. «Sono sempre stata affascinata dal cielo e dalle stelle--dice la Brennan. Se guardi attentamente, tutto può essere collegato attraverso forme geometriche. Ho ...
Continue ReadingNew Music From Brennan, Borgatti, Hilton, Threadgill & More
by Bob Osborne
This episode features music from Latin America, North America, Europe, and the Mediterranean region. It begins with rhythmically driven Latin jazz and piano-led ensemble work, followed by experimental compositions using layered electronics, extended techniques, and non-standard forms. Midway, the programme includes modal structures, bowed string textures, and vibraphone-led chamber jazz. The final third presents free improvisation, large ensemble writing, and live recordings with shifting metre and phrasing. The sequence spans solo, trio, quintet, and big band formats, with studio and ...
Continue ReadingPatricia Brennan: Of the Near and Far
by Mike Jurkovic
Peerless, vibe-savvy vibraphonist Patricia Brennan minces no fools from the get go, launching Of The Near And Far with the kick-ass lead single (singles? They still make singles? In this day? In this age?) “Antilla." A new jazz standard by any stretch of the imagination, “Antilla" is a sleek, hypnotic beauty that gears you into the groove and holds you there. It is the first yin to the yang of Of The Near And Far. On the heels of ...
Continue ReadingPatricia Brennan: Of the Near and Far
by Troy Dostert
Not one to rest on her laurels, vibraphonist/marimbist Patricia Brennan has continued to challenge herself and her listeners with each stop in the studio. Her tireless dedication to her craft is undoubtedly one of the reasons for her meteoric rise in the creative jazz community, which could be charted particularly after 2021 when she released her propitious solo disc, Maquishti (Valley of Search) . Since then she has had barely a moment's pause, with More Touch (Pyroclastic) coming in 2022 ...
Continue ReadingDave Douglas: Alloy
by Giuseppe Segala
La lega di metalli a cui si riferisce Dave Douglas nel suo ultimo lavoro è quella delle trombe nella front-line. Tre personalità differenti, che si fondono in un tenace amalgama musicale, il cui prodotto ha caratteristiche di versatilità, elasticità, brillantezza, empatia. Ma è senz'altro possibile estendere tali caratteristiche all'intera formazione messa in scena dal trombettista, scaturita da una commissione del Festival of New Trumpet Music. Un gruppo inedito e singolare nel suo organico strumentale, con una coppia di ritmi accanto ...
Continue ReadingPatricia Brennan Trio at Bar Bayeux
by Paul Reynolds
Patricia Brennan Trio Bar Bayeux New York, NY September 24, 2025 If you've heard of Patricia Brennan, it's likely the awareness is recent. The Mexican vibraphonist isn't new to the scene, having been quietly honing her reputation through high-caliber collaborations in New York and elsewhere since at least the early 2020s. Yet she's traveled a little under the radar, even within the avant circles in which she belongs stylistically. Now, all of a ...
Continue ReadingDave Douglas: Alloy
by Glenn Astarita
Dave Douglas continues his alchemical pursuits with Alloy, forging a trumpet-centric ensemble that elevates group dialogue to new heights--proving that in jazz, three is not a crowd, it is a conspiracy of cool. Commissioned for the 23rd season of the Festival of New Trumpet Music, the project pairs the leader with British trumpeter Alexandra Ridout and New Hampshire's Dave Adewumi, creating a brass coalition where collaboration outshines competition, like diplomats dodging discord. The title nods to the art of melding ...
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