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Patricia Brennan

Vibraphonist, marimbist, improviser and composer Patricia Brennan “has been widely feted as one of the instrument’s newer leaders.” observed The New York City Jazz Record. She inherited a deep love and appreciation for musical tradition from both parents, as well as being exposed to the musical richness of her native Port of Veracruz. She started studying music at 4 years old, playing latin percussion along salsa records with her father and listening to Jimi Hendrix and Led Zeppelin records with her mother. Also, around the same age, she started playing piano, influenced by her grandmother who was a concert pianist. 

At the age of 17, Patricia was selected from musicians all over the Americas to be part of the Youth Orchestra of the Americas. During this time, she toured every country in the Americas and performed with renowned musicians such as Yo-Yo Ma and Paquito D’Rivera. Before moving to the U. S., Patricia was already performing with the top symphony orchestras in Mexico, such as Xalapa Symphony Orchestra and Mineria Symphony Orchestra. Also, she had already won several awards on marimba competitions and young artist competitions in Mexico and abroad and was featured in the “Líderes Mexicanos” magazine in 2003. She was accepted at the prestigious Curtis Institute of Music in Philadelphia, where she was able to perform alongside high caliber musicians from all over the world and conductors such as Simon Rattle and Charles Dutoit. She also performed with the prestigious Philadelphia Orchestra and other acclaimed new music groups such as members from Eight Blackbird.

Patricia's search for freedom in her musical expression led her to find her voice through the vibraphone and mallet percussion in improvisational music and composition. 

The New York Times observed, “Brennan has recently started to make her presence known on the New York avant-garde, working with such prominent bandleaders as Matt Mitchell and Michael Formanek.” Patricia’s extensive sidewoman work includes the Grammy nominated John Hollenbeck Large Ensemble, Michael Formanek Ensemble Kolossus, Matt Mitchell’s Phalanx Ambassadors, the Webber/Morris Big Band, Tomas Fujiwara’s 7 Poets Trio, Mary Halvorson’s Amaryllis, amongst other groups and collectives. She has also collaborated with pianist Vijay Iyer as a member of Blind Spot with writer Teju Cole, his large ensemble project Open City and several small ensemble performances along with renowned musicians including bassist Reggie Workman and trumpeter Wadada Leo Smith. Patricia’s own projects include the solo project MAQUISHTI, MOCH - a collaborative duo with percussionist, drummer and turntablist Noel Brennan (DJ Arktureye), and MORE TOUCH - a quartet with a quite unusual instrumentation: mallet percussion, percussion, drums, and bass.

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Radio & Podcasts

Music by distinguished American Women Composers plus remembering guitarist Phil Upchurch

Read "Music by distinguished American Women Composers plus remembering guitarist Phil Upchurch" reviewed by Hobart Taylor


Playlist Host Speaks 00:00 Yulia Musayelyan “Strange Times" from Strange Times (Outside In) 00:08 Charles Lloyd /Jason Moran/Marvin Sewell “Heaven" from Figure in Blue (Blue Note) 7:38 Jennifer Grim “Wish Sonatine" (Valerie Coleman-Composer) from Through Broken Time 2 (New Focus) 13:52 Sam Newsome/Jean-Michel Pilc “All the Things You Are" from Cosmic Unconsciousness Unplugged (Self-Produced) 26:00 Host Speaks 31:56 Patricia Brennan “Antlia" from Of The Near And Far (Pyroclastic) 33:23 Kenny Barron/Kavita Shah “Lullabye"from Songbook (Artwork) 40:54 Awadagin Pratt “Rounds [composed ...

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Album Review

Patricia Brennan: Of the Near and Far

Read "Of the Near and Far" reviewed by John Sharpe


Vibraphonist Patricia Brennan continues to redefine her creative horizons on Of The Near And Far, a fourth leadership date that expands her sonic blueprint without tempering the imagination that has marked her rise. Each of its predecessors has been completely different, from the horn-rich Breaking Stretch (Pyroclastic, 2024), to the percussion-centered More Touch (Pyroclastic, 2022), to her debut, the solo Maquishti (Valley Of Search, 2021). She avoids familiar paths once again here, writing for an accomplished ten-strong unit which merges ...

Album Review

Patricia Brennan: Of the Near and Far

Read "Of the Near and Far" reviewed by Angelo Leonardi


In un paio d'anni, Patricia Brennan è balzata ai vertici del jazz più innovativo. Se già il magistrale e pluripremiato Breaking Stretch (Pyroclastic Records, 2024) era un salto avanti rispetto ai precedenti More Touch (Pyroclastic Records, 2022) e Maquishti, stavolta la vibrafonista d'origine messicana presenta un'opera ancor più sorprendente, cambiando organico in un'esplorazione ambiziosa e audace. «Sono sempre stata affascinata dal cielo e dalle stelle--dice la Brennan. Se guardi attentamente, tutto può essere collegato attraverso forme geometriche. Ho ...

2
Radio & Podcasts

New Music From Brennan, Borgatti, Hilton, Threadgill & More

Read "New Music From Brennan, Borgatti, Hilton, Threadgill & More" reviewed by Bob Osborne


This episode features music from Latin America, North America, Europe, and the Mediterranean region. It begins with rhythmically driven Latin jazz and piano-led ensemble work, followed by experimental compositions using layered electronics, extended techniques, and non-standard forms. Midway, the programme includes modal structures, bowed string textures, and vibraphone-led chamber jazz. The final third presents free improvisation, large ensemble writing, and live recordings with shifting metre and phrasing. The sequence spans solo, trio, quintet, and big band formats, with studio and ...

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Album Review

Patricia Brennan: Of the Near and Far

Read "Of the Near and Far" reviewed by Mike Jurkovic


Peerless, vibe-savvy vibraphonist Patricia Brennan minces no fools from the get go, launching Of The Near And Far with the kick-ass lead single (singles? They still make singles? In this day? In this age?) “Antilla." A new jazz standard by any stretch of the imagination, “Antilla" is a sleek, hypnotic beauty that gears you into the groove and holds you there. It is the first yin to the yang of Of The Near And Far. On the heels of ...

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Album Review

Patricia Brennan: Of the Near and Far

Read "Of the Near and Far" reviewed by Troy Dostert


Not one to rest on her laurels, vibraphonist/marimbist Patricia Brennan has continued to challenge herself and her listeners with each stop in the studio. Her tireless dedication to her craft is undoubtedly one of the reasons for her meteoric rise in the creative jazz community, which could be charted particularly after 2021 when she released her propitious solo disc, Maquishti (Valley of Search) . Since then she has had barely a moment's pause, with More Touch (Pyroclastic) coming in 2022 ...

Album Review

Dave Douglas: Alloy

Read "Alloy" reviewed by Giuseppe Segala


La lega di metalli a cui si riferisce Dave Douglas nel suo ultimo lavoro è quella delle trombe nella front-line. Tre personalità differenti, che si fondono in un tenace amalgama musicale, il cui prodotto ha caratteristiche di versatilità, elasticità, brillantezza, empatia. Ma è senz'altro possibile estendere tali caratteristiche all'intera formazione messa in scena dal trombettista, scaturita da una commissione del Festival of New Trumpet Music. Un gruppo inedito e singolare nel suo organico strumentale, con una coppia di ritmi accanto ...

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Primary Instrument

Vibraphone

Willing to teach

Beginner to advanced

Credentials/Background

As an educator, I have been teaching music in several countries for almost 10 years. The ages of my students have ranged from 1 year old to adults. While in Mexico, I worked at a private arts school (Escuela Municipal de Bellas Artes - EMBA), where some of my duties included coordinating the percussion studio and school choir, teach private and group lessons as well as assisting as a co-teacher for general music classes for students from 4 years old to adults. While in Philadelphia, PA, I worked at The Baldwin School in Bryn Mawr, PA, where some of my duties included coordinating the percussion studio, teaching private and group lessons and organizing student performances for grades 5-12

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Concerts

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Music

Recordings: As Leader | As Sideperson

Mundoagua:...

Zoho Music
2025

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About Ghosts

Nonesuch Records
2025

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For These Streets

Out Of Your Head Records
2025

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Unclassified...

Pi Recordings
2025

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Of the Near and Far

Pyroclastic Records
2025

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Alloy

Greenleaf Music
2025

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Aquarius

From: Of the Near and Far
By Patricia Brennan

Blue Palestine Part Two

From: Mundoagua: Celebrating Carla...
By Patricia Brennan

Breaking Stretch

From: Breaking Stretch
By Patricia Brennan

The Cocktail Party

From: Miniature America
By Patricia Brennan

Eager

From: Slow Water
By Patricia Brennan

Unquiet Respect

From: More Touch
By Patricia Brennan

Videos

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