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Patricia Brennan
Vibraphonist, marimbist, improviser and composer Patricia Brennan “has been widely feted as one of the instrument’s newer leaders.” observed The New York City Jazz Record. She inherited a deep love and appreciation for musical tradition from both parents, as well as being exposed to the musical richness of her native Port of Veracruz. She started studying music at 4 years old, playing latin percussion along salsa records with her father and listening to Jimi Hendrix and Led Zeppelin records with her mother. Also, around the same age, she started playing piano, influenced by her grandmother who was a concert pianist.
At the age of 17, Patricia was selected from musicians all over the Americas to be part of the Youth Orchestra of the Americas. During this time, she toured every country in the Americas and performed with renowned musicians such as Yo-Yo Ma and Paquito D’Rivera. Before moving to the U. S., Patricia was already performing with the top symphony orchestras in Mexico, such as Xalapa Symphony Orchestra and Mineria Symphony Orchestra. Also, she had already won several awards on marimba competitions and young artist competitions in Mexico and abroad and was featured in the “Líderes Mexicanos” magazine in 2003. She was accepted at the prestigious Curtis Institute of Music in Philadelphia, where she was able to perform alongside high caliber musicians from all over the world and conductors such as Simon Rattle and Charles Dutoit. She also performed with the prestigious Philadelphia Orchestra and other acclaimed new music groups such as members from Eight Blackbird.
Patricia's search for freedom in her musical expression led her to find her voice through the vibraphone and mallet percussion in improvisational music and composition.
The New York Times observed, “Brennan has recently started to make her presence known on the New York avant-garde, working with such prominent bandleaders as Matt Mitchell and Michael Formanek.” Patricia’s extensive sidewoman work includes the Grammy nominated John Hollenbeck Large Ensemble, Michael Formanek Ensemble Kolossus, Matt Mitchell’s Phalanx Ambassadors, the Webber/Morris Big Band, Tomas Fujiwara’s 7 Poets Trio, Mary Halvorson’s Amaryllis, amongst other groups and collectives. She has also collaborated with pianist Vijay Iyer as a member of Blind Spot with writer Teju Cole, his large ensemble project Open City and several small ensemble performances along with renowned musicians including bassist Reggie Workman and trumpeter Wadada Leo Smith. Patricia’s own projects include the solo project MAQUISHTI, MOCH - a collaborative duo with percussionist, drummer and turntablist Noel Brennan (DJ Arktureye), and MORE TOUCH - a quartet with a quite unusual instrumentation: mallet percussion, percussion, drums, and bass.
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Patricia Brennan and Sylvie Courvoisier: Talamanti
by Mike Jurkovic
It is more than fair to say--right from the start of their kinship in early 2023, in the Sylvie Courvoisier 4 with bassist Thomas Morgan and drummer Dan Weiss--that there was something innate, and perhaps more importantly, intimate, between road-clearing pianist Sylvie Courvoisier and rascally vibraphonist Patricia Brennan. Talamanti proves that big time. Organically the sharply focused work of two fearless, free spirits, Talamanti, (the main language of indigenous, Aztec-era Mesoamericans) culminates or, dare one say, ...
Continue ReadingPatricia Brennan And Sylvie Courvoisier, Ambrose Akinmusire And Mary Halvorson, Mick Goodrick And Fred Hersch: Playing Doubles
by Doug Collette
Watching a musician perform solo vividly illustrates how difficult it is to play music well. And observing a pair of instrumentalists in action together graphically depicts how hard it is for musicians to play well together. In the case of these three teams of doubles, no one individual leads, except occasionally in transitions. Rather, the two individuals move parallel in ascent and descent, to the right or left and forward/backward. The respective dynamics reveal uncanny symbioses, of which the participants ...
Continue ReadingPatricia Brennan, Sylvie Courvoisier, Janek van Laak, Jeff Parker and more
by Lawrence Peryer
This hour or Rotations opens with the Oscillating Revenge of the Background Instruments, a/k/a ORBI, making their case to have the supporting players take the leads. They do it with a chamber ensemble take on a classic rock epic. From there, the episode is loaded with music from The Tonearm podcast alumni, including new work from vibraphonist Patricia Brennan and pianist Sylvie Courvoisier, drummer/composer Janek van Laak, and a new track from Jeff Parker's ETA IVTet. Sprinkled throughout you'll hear ...
Continue ReadingAlbum Review
Ben Wendel: BaRcoDe
by Angelo Leonardi
Il nuovo progetto di Ben Wendel vede il sassofonista canadese a capo di un quintetto senza la tradizionale sezione ritmica ma comprendente quattro acclamati vibrafonisti: Patricia Brennan, Simon Moullier, Joel Ross e Juan Diego Villalobos che ampliano lo spettro strumentale usando anche marimba, balafon, varie percussioni e dispositivi elettronici. L'organico è davvero inusuale ma non ci sorprende. In due decenni di attività in veste di leader, cofondatore dei Kneebody, sideman e produttore, il sassofonista canadese ha mostrato d'essere ...
Continue ReadingBen Wendel: BaRcoDe
by Neil Duggan
BaRcoDe marks the formation of a new ensemble and the debut album from tenor saxophonist Ben Wendel. An electroacoustic project for saxophone and mallets, it brings together a stellar cast of contemporary vibraphonists and percussionists in Joel Ross, Simon Moullier, Patricia Brennan and Juan Diego Villalobos. A two-time Grammy nominee and co-founder of Kneebody, Wendel has performed and recorded with artists as varied as Bill Frisell, Tigran Hamasyan and Prince, accumulating numerous awards along the way. The ensemble ...
Continue ReadingPatricia Brennan: Star Light, Star Bright
by David Bixler
What if the patterns you see in the night sky weren't just constellations, but a musical score? Vibraphonist Patricia Brennan, an avid astronomer, has looked to the stars as the blueprint for her ambitious 2025 recording, Of the Near and Far (Pyroclastic Records, 2025). To bring this cosmic vision down to earth, Brennan enlisted a ten-piece ensemble featuring pianist Sylvie Courvoisier, guitarist Miles Okazaki, and a full string quartet. In this episode of LINER NOTES, we explore how ...
Continue Reading2025 Year in Review by the Numbers: The Magnificent Seven and the Pluralism of Taste
by Marek J. Śmietański
My Journey From Sports Analytics to Counting Jazz I've always had a soft spot for statistics and rankings--especially those that try to say something more than just what people like." This is probably a result of my rigorous mathematical-informatics education and the scientific research I conducted over a dozen years ago on classification and ranking methods in sports (Formula 1, cycling, team sports, among others). So when the opportunity arose to prepare a summary in the field of music, I ...
Continue ReadingPrimary Instrument
Vibraphone
Willing to teach
Beginner to advanced
Credentials/Background
As an educator, I have been teaching music in several countries for almost 10 years. The ages of my students have ranged from 1 year old to adults. While in Mexico, I worked at a private arts school (Escuela Municipal de Bellas Artes - EMBA), where some of my duties included coordinating the percussion studio and school choir, teach private and group lessons as well as assisting as a co-teacher for general music classes for students from 4 years old to adults. While in Philadelphia, PA, I worked at The Baldwin School in Bryn Mawr, PA, where some of my duties included coordinating the percussion studio, teaching private and group lessons and organizing student performances for grades 5-12
Photos
Music
Aquarius
From: Of the Near and FarBy Patricia Brennan
Blue Palestine Part Two
From: Mundoagua: Celebrating Carla...By Patricia Brennan
Breaking Stretch
From: Breaking StretchBy Patricia Brennan
The Cocktail Party
From: Miniature AmericaBy Patricia Brennan
Eager
From: Slow WaterBy Patricia Brennan
Unquiet Respect
From: More TouchBy Patricia Brennan








