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About Mehmet Ali Sanlikol
Mehmet Ali Sanlikol: The Electric Oud Man Speaks And You Listen…
by Kyle Simpler
Jazz has long operated with something like an open-door policy, absorbing influences from classical, folk, rock, and beyond. Turkish-American composer Mehmet Ali Sanlikol extends that tradition in a particularly personal way on The Electric Oud Man Speaks...And You Listen, a five-track project that brings Turkish makam, jazz improvisation, and rock energy into a shared musical language. Sanlıkol's musical background reflects that synthesis. Raised in Istanbul by a classical pianist mother, he grew up surrounded by Beethoven, Mozart, and Chopin ...
Continue ReadingMehmet Ali Sanlikol, featuring Ingrid Jensen: 7 Shades of Melancholia
by Jack Bowers
Although he was born and raised in Turkey, pianist, composer and educator Mehmet Ali Sanlikol says he was not a student of Turkish musical traditions until after he arrived in the United States more than thirty years ago. By the late '90s, however, Sanlikol, by then a successful working jazz musician, had reconnected with his Turkish roots, studied its grammar and played hundreds of concerts focused on the music of his homeland, blended with elements of American jazz and other ...
Continue ReadingFrom Tony Bennett to Mehmet Ali Sanlikol
by Jerome Wilson
This show is a mixture of vocals, flutes, Middle Eastern jazz, and much more. Artists heard on the show include Mehmet Ali Sanlikol, Tony Bennett, Myra Melford, Lew Tabackin, and Cal Tjader. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Stan Getz “Invitation" from My Foolish Heart: Live at the Left Bank (Label M) 00:56 Cory Weeds “Blossoms In May" from ...
Continue ReadingMehmet Ali Sanlikol: Turkish Hipster: Tales From Swing To Psychedelic
by Jack Bowers
Those who believe the term Turkish Hipster has to be an oxymoron should get to know composer/arranger/multi-instrumentalist Mehmet Ali Sanlikol, a Turk whose seventh album, subtitled “Tales from Swing to Psychedelic," is about as hip as can be. Sanlikol knows where is going but chooses to get there in his own special way, using every weapon in his musical arsenal to create vivid sound pictures whose jazz components rest solidly within a Middle Eastern framework that set them apart from ...
Continue ReadingMehmet Ali Sanlikol: The Rise Up
by Jack Bowers
Yes, the boundaries of jazz have spread far beyond any perimeter its early enthusiasts could have envisioned. Yes, the idea for composer / arranger Mehmet Ali Sanlikol's The Rise Up was advanced by saxophonist Dave Liebman--and yes, there's no way to downgrade his jazz credentials. Liebman, Sanlikol says, asked that the piece draw from Turkish and Sephardic Jewish traditions as well as cultural and historical experiences, and feature him as soprano saxophone soloist. Two years later, Sanlikol completed a picturesque ...
Continue ReadingMehmet Ali Sanlikol & Whatsnext?: Resolution
by Angelo Leonardi
Nato a Istanbul da genitori turco-ciprioti, Mehmet Ali Sanlikol è un orchestratore, etnomusicologo e pianista che ha studiato composizione a Berklee con Herb Pomeroy e al New England Conservatory con George Russell e Bob Brookmeyer. Suona professionalmente da due decenni ed è un prolifico autore che spazia dal jazz orchestrale alla dimensione classica, dalla musica tradizionale turca a fusioni con disparate forme etniche e popolari. Questo lavoro orchestrale segue What's Next del 2014 e si spinge nella sintesi ...
Continue ReadingMehmet Ali Sanlikol & Whatsnext?: Resolution
by Dave Wayne
Turkish multi-instrumentalist, composer and ethnomusicologist Mehmet Ali Sanlikol has a wide variety of interests and clearly isn't afraid to think big. His second album, Resolution features two distinct ensembles: a 19-member jazz orchestra and a 12- member jazz combo. Each track, except for “A Dream in Nihavend" and the set closing “Love Theme from Ergenkon," features jazz luminaries such as Anat Cohen, Dave Liebman, Tiger Okoshi, and Antonio Sanchez as guest soloists. And, despite Sanlikol's liberal application of electronics and ...
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