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Jazz Articles about Mary Halvorson

7
Album Review

Adam O'Farrill: For These Streets

Read "For These Streets" reviewed by John Sharpe


With For These Streets, trumpeter and composer Adam O'Farrill presents a sharply contoured, richly imagined statement for mid-sized band--his most complete vision to date. Drawing on an eclectic range of influences, from 1930s-era music, literature and film to the rhythms of contemporary urban life, O'Farrill leads a wily crew of his peers through a program that moves with narrative cohesion. Though not a suite in the formal sense, the album unfolds like one, the pieces linked by emotional throughlines and ...

12
Album Review

Adam O'Farrill: For These Streets

Read "For These Streets" reviewed by Mark Corroto


Trumpeter and composer Adam O'Farrill distills a heady mix of inspirations into For These Streets, the debut release from his new octet. Drawing on music, literature and the ambiance of the 1930s, the album reflects his immersion in the era--Henry Miller's prose, Charlie Chaplin's City Lights, and the sonic worlds of Stravinsky, Ravel, Carlos Chávez and Kurt Weill. None of this background is necessary to appreciate the music, nor is it mentioned in the packaging. But knowing it adds a ...

7
Album Review

Mary Halvorson: About Ghosts

Read "About Ghosts" reviewed by Mike Jurkovic


It has become more than an urban legend that Brooklyn's genius-in-residence Mary Halvorson is supernaturally up to something. Some new route around something else. On her second resiliency test of the year--her first, the fiery Bone Bells (Pyroclastic, 2025) alongside hot-house pianist Sylvie Courvoisier still rattles the playlist--Halvorson's About Ghosts tells of wide open spaces with a wide open lens. Its intricate inner architecture is so comfortably ethereal that you sway freely within its charm and frenzy. About ...

Album Review

Adam O'Farrill: For These Streets

Read "For These Streets" reviewed by Angelo Leonardi


Con questo nuovo disco Adam O'Farrill scrive una delle pagine più avvincenti del 2025, confermando di non essere solo un magistrale trombettista ma un compositore d'alto spessore anche per medio organico. Nei quattro album col quartetto Stranger Days, ha dimostrato di saper integrare con coerenza le forme del post bop degli anni sessanta con gli sviluppi delle avanguardie successive e in questo ottetto stellare prosegue, ampliando lo spettro armonico e timbrico con l'uso di vibrafono (Patricia Brennan), chitarra ...

1
Radio & Podcasts

Mary Halvorson, plus new music from Tarun Balani, Brandee Younger and Eduardo Elia

Read "Mary Halvorson, plus new music from Tarun Balani, Brandee Younger and Eduardo Elia" reviewed by Hobart Taylor


A preview of Mary Halvorson's latest, plus new music from Tarun Balani, Brandee Younger and Eduardo Elia and an interview with saxophonist Kevin Sun. Playlist Olga Amelchenko “Howling Silence" from Howling Silence (Edition) 0:00 Miles Davis “I See Your Face Before Me" from The Musings of Miles (Remastered) (Craft) 5:07 Changamire" It's April" from Seeking Billie: The Unusual tribute to Billie Holiday (Sonnig) 9:50 Host Speaks 13:06 Eduardo Elia “II" from Desvikos (577) 15:11 Mary Halvorson “Carved From" ...

4
Album Review

Sylvie Courvoisier Mary Halvorson: Bone Bells

Read "Bone Bells" reviewed by Mike Jurkovic


Guitarist and sound-chaser Mary Halvorsonnever fails to hypnotize. Add the equally hypnotic pianist Sylvie Courvoisier and beauties like Bone Bells materialize to shift your news-exhausted consciousness to greater possibilities. Bone Bells does that. Bone Bells does it often. Once again each woman is determined to investigate every tangent of the sonic atmosphere. Willfully and excitedly breaks down the margins of contemporary chamber and avant-garde, Courvoisier (who gets along rather well with many musical mavericks, notably Wadada Leo Smith ...

9
Album Review

Sylvie Courvoisier and Mary Halvorson: Bone Bells

Read "Bone Bells" reviewed by John Ephland


Tonally, these two artists offer what feels and sounds like an ideal fit. Pianist Sylvie Courvoisier and guitarist Mary Halvorson are in no hurry with , their third collaboration as a duo, the title coming from a passage in the novel Trust, by Herman Diaz. There is gentleness mixed with a kind of dreaminess, interspersed with what feel like spasms of either delight or some sudden fury of exposition that must find an outlet. And like all duo ...


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