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Tony Tixier: Poems Never End
by Neil Duggan
Serendipity is the art of everything being in the right place at the right time, and so it proved for Tony Tixier on a whirlwind trip to New York City. Recorded during a single afternoon and without a predetermined plan for the session, the album Poems Never End was recorded in one take, with nothing added, taken away, or otherwise embellished in post-production. Frenchman Tixier is a highly versatile pianist who has worked in most small group formats ...
Continue ReadingJason Moran: From the Dancehall to the Battlefield
by Neri Pollastri
Uscito il primo gennaio 2023 su Bandcamp, questo album di Jason Moran, per il suo concept, per la varietà e la ricchezza, per il modo in cui fonde radici storiche e modernità è probabilmente da considerare il disco dell'anno. Il suggestivo titolo From the Dancehall to the Battlefield sintetizza la storia del mitico musicista a cui è dedicato: James Reese Europe, compositore, arrangiatore e direttore d'orchestra nero, nato a Mobile, in Alabama, nel 1881, e trasferitosi prima a ...
Continue ReadingLogan Richardson: On Afrofuturism and finding Mom
by Friedrich Kunzmann
As the twenty-first century takes its course, a jazz musician's musical path seems to be becoming less and less linear. Derivatives of genres, shifting technological approaches and possibilities as well as a growing amount of proactivist political and social advocacy are increasingly gaining passage into this century's art form with deep American roots. In that respect and over twenty years deep into a fruitful career with now five albums as a leader under his belt, Kansas City-native Logan ...
Continue ReadingLogan Richardson: To Boldly Go Where No Jazz Has Gone Before
by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift, featuring guitarist Pat Metheny. Warning! Shift sounds positively conservative compared to 2021's AfroFuturism (WAX Industry / Whirlwind). The new album's reference points, ...
Continue ReadingLogan Richardson: AfroFuturism
by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift. Warning! That album sounds positively conservative compared to the paradigm-shattering monster AfroFuturism. Among the latest album's various conceptual references, either intended ...
Continue ReadingSylwester Ostrowski: Jammin' With KC
by Kyle Simpler
Sylwester Ostrowski traveled from his native Poland to Kansas City in February 2020 to participate in a centennial celebration of Charlie Parker's life and music. During the visit, Ostrowski visited Parker's childhood home, his grave, and other historical landmarks. He also sat in with some of Kansas City's finest jazz musicians at several local venues. He got a taste of not only the Kansas City jazz scene but American life and culture as well. While visiting the US, Ostowski recorded ...
Continue ReadingMark F. Turner's Best Releases of 2016
by Mark F. Turner
Another year of outstanding releases which not only unveiled new artists but also fresh material from those I've admired over many years. While the roots of jazz were formed during the music diaspora from Africa to America its branches are continually grafting and evolving--artistically, culturally, and geographically as musicians and composers find creative ways to express the music. As usual, the task is arduous but here are my picks for 2016. Logan Richardson Shift
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