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Immanuel Wilkins: The 7th Hand

by Angelo Leonardi
Dopo l'acclamato debutto di Omega Immanuel Wilkins disegna un altro avvincente affresco, confermando l'intento a elaborare nuovi percorsi musicali inglobando la tradizione. Con lui ritroviamo i giovani partner del suo quartetto (Micah Thomas al pianoforte, Daryl Johns al contrabbasso e Kweku Sumbry alla batteria) più la bravissima flautista Elena Pinderhughes (già con Christian Scott aTunde Adjuah e Ambrose Akinmusire) e l'ensemble di percussioni Farafina Kan. Mentre conferma il magistrale eloquio strumentale con lunghi, intensi ...
Continue ReadingImmanuel Wilkins: Omega

by Paul Rauch
At the moment Omega, the debut solo album of young alto saxophonist Immanuel Wilkins, was released on Blue Note in May 2020, America was ablaze with the fight for justice following the murder by police of George Floyd in Minneapolis. The sessions for the album were recorded prior to the event that propelled the Black Lives Matter movement, and spread to the streets in demand for racial justice like no other time in American history. Yet the album is an ...
Continue ReadingJure Pukl: Broken Circles

by Friedrich Kunzmann
Slovenian tenor saxophonist Jure Pukl follows up his quartet outings Hybrid (Whirlwind Recordings 2017) and Doubtless (Whirlwind Recordings 2018) with an album that signals a clear change of direction. On Broken Circles Pukl swaps his saxophonist wife Melissa Aldana for Joel Ross on vibraphone and adds guitarist Charles Altura for some lyrical comping, on top of a well-versed rhythm section. As a direct result, harmony and flow arise more implicitly, giving Pukl the ideal environment to perform long stretches of ...
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