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About Kenny Dorham

Album Review

Charlie Parker Quintets: Be Bop Live

Read "Be Bop Live" reviewed by Stefano Merighi

by Stefano Merighi

Benvenuti a uno dei convegni di bellezza più eccitanti che il jazz abbia mai prodotto. Royal Roost, New York City, dicembre 1948-febbraio 1949, due mesi in cui Charlie “Bird" Parker teneva il cartellone nel club della Quarantasettesima, sconvolgendo il pubblico con alcune tra le sue esibizioni più brillanti. Il bop era già linguaggio assimilato ormai, ma l'eccezionalità di quelle serate confermava Parker come punta di diamante di tutta la cultura africana-americana, al di là delle correnti jazzistiche.Questo doppio ...

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6

Radio & Podcasts

Hard Bop Trumpet - Kenny Dorham, Dizzy Reece, Blue Mitchell (1962 - 1964)

Read "Hard Bop Trumpet - Kenny Dorham, Dizzy Reece, Blue Mitchell (1962 - 1964)" reviewed by Russell Perry

by Russell Perry

This is the final hour of a four-part sequence featuring important tenor players and trumpeters who propelled hard bop into the 1960s. In this hour, we will continue with the Trumpet Players, Part 2, featuring lesser-known players—unsung veteran Kenny Dorham who recorded with both Dizzy and Bird in the 1940s, London-based Jamaican trumpet player Dizzy Reece, and Blue Mitchell who got his start with Cannonball Adderley and had a long tenure in the Horace Silver Quintet in the early 1960s. ...

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8

Multiple Reviews

Music Matters: SRX Vinyl

Read "Music Matters: SRX Vinyl" reviewed by Greg Simmons

by Greg Simmons

Music Matters, the vinyl reissue house known for it's long string of high-quality all-analog pressings of classic Blue Note records, has released a dozen additional titles just a year or so after completing what was supposed to have been their final offerings. The new records include some that Music Matters had released in earlier series, as well as new titles. All of them are being pressed on a new vinyl formula that purports quieter surfaces and improved resolution. The material, ...

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20

My Blue Note Obsession

Point Of Departure

Read "Point Of Departure" reviewed by Marc Davis

by Marc Davis

I have put off writing this blog post as long as possible. For three weeks, I've been listening to Andrew Hill's Point of Departure and contemplating what I can say that isn't blatantly subjective and negative.I give up. I just don't like it.I honestly thought I might appreciate this, even though I don't generally like avant-garde jazz. Almost everyone seems to love this record. Let me count the ways:The new book Uncompromising Expression, a ...

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33

My Blue Note Obsession

Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524

Read "Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524" reviewed by Marc Davis

by Marc Davis

I think I have a new favorite hard bop record. For many years, I considered Art Blakey and the Jazz Messengers the perfect hard bop band--the Beatles of the bop set. I still do. I don't know how Blakey managed to find the very best up-and-coming jazz musicians in America, year after year, but somehow he did. And somehow the various bands he put together, no matter who was in them, produced superlative 5-star records, year after year. ...

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90

Album Review

Andrew Hill: Point Of Departure

Read "Point Of Departure" reviewed by Greg Simmons

by Greg Simmons

The folks at Music Matters have been reissuing classic Blue Note albums of the 1950s and 1960s at an aggressive clip, and have been careful to include virtually every style of music the label recorded, including some of its more challenging material. Pianist Andrew Hill's Point of Departure (1964) will never be mistaken for light cocktail jazz, but it's inclusion in this reissue series displays Music Matters' commitment to more adventurous material. In 1964, the term avant-garde could ...

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134

Album Review

Kenny Dorham: Una Mas

Read "Una Mas" reviewed by Greg Simmons

by Greg Simmons

Trumpeter Kenny Dorham's Una Mas was one of 1963's best records. The thought of hearing it reissued on ultra-high quality vinyl by the good folks at Music Matters should make jazz heads swoon. With its melding of hard-bop, bossa nova, and the blues, Una Mas is a prime example of the memorable vamps that Blue Note favored at the time, finding ultimate success later that year with Lee Morgan's The Sidewinder. Dorham was a prolific recording artist for ...

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