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Album Review

Harry Skoler: Living in Sound - The Music of Charles Mingus

Read "Living in Sound - The Music of Charles Mingus" reviewed by Angelo Leonardi


Tra i vari tributi alle composizioni di Charles Mingus, pubblicati nell'anno del centenario della nascita, questo di Harry Skoler conferma la plasticità di quei temi, articolati e mutevoli, frutto della sua complessa personalità. L'autore e primo solista di questo progetto è un clarinettista--già allievo di Jimmy Giuffre al New England Conservatory e da anni professore al Berklee College--la cui vita è stata radicalmente influenzata dalla passione per l'opera di Mingus. In collaborazione col sassofonista ...

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Album Review

Kenny Barron: The Source

Read "The Source" reviewed by Mike Jurkovic


He may admit to jitters whenever he first sits down at his chosen instrument to record or perform, but elder statesman and NEA Master Kenny Barron never fails to elicit a warm, enveloping sense of elegy, wit and emotional balance to whatever setting the music finds him. On his first solo go-round in forty years, The Source, like its distant predecessor At The Piano (Xanadu, 1982) has Barron brimming with the same empathy and effervescence, but with all ...

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Album Review

Patty Lomuscio: Star Crossed Lovers

Read "Star Crossed Lovers" reviewed by Paul Beard


The Italian singer Patty Lomuscio had long dreamed of making an album in New York with pianist Kenny Barron. Now she has done so. Alongside Barron is drummer Joe Farnsworth, bassist Peter Washington and Vincent Herring on alto saxophone. The title track, comes across really well. Lomuscio's talents start to shine through and then with the next offering, “This Can't Be Love," it becomes obvious that a certain British Dame has influenced this Mediterranean songstress: her scatting is ...

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Album Review

Greg Abate: Magic Dance: The Music of Kenny Barron

Read "Magic Dance: The Music of Kenny Barron" reviewed by Chris M. Slawecki


Musicians will sometimes honor another musician who influenced their lives or work with a tribute or memorial recording after that influential musician has passed on. There's an abundance of first-rate music on the double-disc Magic Dance: The Music of Kenny Barron. But the best thing about it is that the leader, flutist and saxophonist Greg Abate, convinced Kenny Barron to fill its piano chair. “Kenny was kind enough to provide me with music for a range of his tunes, some ...

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Album Review

Gerry Gibbs: Songs from My Father

Read "Songs from My Father" reviewed by Edward Blanco


Drummer Gerry Gibbs pays tribute to father Terry Gibbs on the amazing nineteen-track double-CD set Songs from My Father featuring a guest appearance by the ninety-seven-year-old vibraphonist on one track, among other surprises, including the last studio performance by the late jazz icon Chick Corea, who also wrote “Tango for Terry" for this homage and is the only non-Gibbs composition on the album. Son Gerry had plenty of his father's music to choose from when contemplating this project but chose ...

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Album Review

Gerry Gibbs Thrasher Dream Trios: Songs from My Father

Read "Songs from My Father" reviewed by Jack Bowers


Songs from My Father. What a marvelous idea!—and not simply for the sentiment. Drummer Gerry Gibbs' father happens to be Hall of Fame vibraphonist (and sometime song writer) Terry Gibbs, who is still on the scene at ninety-seven (and, in fact, making a guest appearance on the first disc of this superlative two-CD set). Eighteen of the elder Gibbs' songs, written between 1949 and 1985 (and one more, “Tango for Terry," by the late Chick Corea) are performed by four ...

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Album Review

Greg Abate: Magic Dance: The Music of Kenny Barron

Read "Magic Dance: The Music of Kenny Barron" reviewed by Rob Rosenblum


Magic Dance is an offering by multi instrumentalist Greg Abate, who is a proud keeper of the bebop flame. In the 75 plus years that bebop has been around, there have probably been hundreds of thousands of quartet records with sax, piano, bass and drums, a few of which have been contributed by Abate. But this one is a departure from his previous releases, and because it isn't the bare bones presentation that jazz fans are accustomed to, it may ...


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