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Jazz Articles about Johnathan Blake

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Album Review

Dr. Lonnie Smith: Breathe

Read "Breathe" reviewed by Angelo Leonardi


Nel nuovo album di Dr.Lonnie Smith, appena uscito per la Blue Note, non c'è solo il traboccante groove del suo trio. Per il 75mo compleanno dell'organista Hammond, il produttore Don Was ha fatto le cose in grande, pubblicando la registrazione di una una serata allo Jazz Standard (a New York nel 2017) con un organico strumentale con nomi illustri, come il trombonista Robin Eubanks e la cantante Alicia Olatuja. Piuttosto insolita, ma riuscitissima, risulta poi la collaborazione ripresa in studio ...

Album Review

Kenny Barron - Dave Holland Trio feat. Johnathan Blake: Without Deception

Read "Without Deception" reviewed by Angelo Leonardi


A distanza di sei anni dal celebrato The Art f Conversation, Kenny Barron e Dave Holland introducono nel loro sodalizio il batterista Johnathan Blake per realizzare un nuovo pregevole lavoro che non ricalca—com'è giusto che sia—quello precedente. In questa modifica di formazione pesa il fantasioso apporto ritmico del batterista ma non è l'unico fattore. In quel disco sei dei dieci brani erano ballad o temi lirici che favorivano un dialogo intimo tra i due maestri, qui prevalgono composizioni ritmicamente spigliate, ...

3
Album Review

Maria Schneider Orchestra: Data Lords

Read "Data Lords" reviewed by Angelo Leonardi


C'è molto da dire sul nuovo album di Maria Schneider ma la prima e più importante considerazione riguarda la musica: sorprendente per ricchezza e novità di soluzioni, tensione narrativa e sintesi tra ricerca e tradizione. È uno dei suoi dischi più avvincenti e innovativi. L'incubazione del progetto è durata alcuni anni (il precedente The Thompson Fields è del 2015) e si lega alla presa di coscienza della bandleader sui pericoli connessi alla raccolta dei dati personali dalle società dell'universo digitale. ...

16
Album Review

Maria Schneider: Data Lords

Read "Data Lords" reviewed by Pat Youngspiel


Well someone doesn't seem too happy with the digital world. But that's nothing new for Maria Schneider. The Grammy-award winning composer and bandleader has been an outspoken critic of copyright abuses in the digital and streaming world of music for the biggest part of the last decade. On her newest effort, she sets her justified quarrels with the industry to music by juxtaposing the cold world of ones and zeroes, comprised on the first CD titled “The Digital World," in ...

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Album Review

Maria Schneider Orchestra: Data Lords

Read "Data Lords" reviewed by Jerome Wilson


Composer Maria Schneider has long been writing and speaking about the dangers of the omnipresent digital universe, intellectual property theft, gathering and manipulation of personal data by big tech companies, the unchecked proliferation of false and misleading material, and so on. Those concerns form the basis of her latest musical project, Data Lords, a 2 CD set examining the conflicting realities of the digital and real worlds. The two CDs are labeled “The Digital World" and “Our Natural ...

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Album Review

Maria Schneider: Data Lords

Read "Data Lords" reviewed by Doug Hall


Maria Schneider, jazz pianist, orchestral composer and 2019 NEA Jazz Master, has just released a new double-album, Data Lords (artistShare, 2020), which creates poignant musical imagery about our data-driven world. Schneider, who has been an active advocate for musicians' rights and copyright, has followed-on this impact, citing “big data" companies as manipulators of music, culture and privacy. This collection of uniquely and emotionally rendered original compositions addresses the conflicting relationships between the digital and natural worlds, featuring Schneider's orchestra of ...

1
Album Review

Dave Pietro: Hypersphere

Read "Hypersphere" reviewed by Paul Rauch


You may not know the name Dave Pietro offhand, but it is likely, if you are a jazz fan of any sort, that you have heard him play. As a saxophone/woodwind artist, composer, educator, sideman, and bandleader, he has performed across a broad spectrum of projects since his becoming a mainstay on the New York scene in 1987. That aspect of his career has enabled a sizable skill set that transfers over into his personal projects. His compositional ...


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