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Favorite Jazz and Fusion Albums 2025 - Music from Artemis, Behn Gillece, Johnathan Blake, Hiromi, and Others
by David W. Daniels
A subjectively selected “Best 25 jazz and jazz fusion albums of 2025" list, with artists as diverse as Branford Marsalis, Phil Bancroft, Ella Fitzgerald, and Yellowjackets. Playlist Artemis “Sights Unseen"--from Arboresque (Blue Note) 00:00 Branford Marsalis Quartet “'Long As You Know You're Living Yours"--from Belonging (Blue Note) 7:21 Nnenna Freelon “Changed"--from Beneath The Skin (Origin) 16:04 Joe Farnsworth “Continuance"--from The Big Room (Smoke Sessions) 21:23 Carmen Bradford “Sometimes I'm Happy"--from Carmen Sings Carmen: Echoes Of Carmen McRae (Artist ...
Continue ReadingKenny Barron: Songbook
by Pierre Giroux
Kenny Barron's offering Songbook is a deeply personal milestone in the pianist's career. Long regarded as one of the most lyrical voices in modern jazz, Barron fulfills a long-held dream by revisiting thirteen of his original compositions, now reimagined with words by lyricist Janice Jarrett and performed by a talented cast of vocalists spanning different generations. Joined by his longtime trio with bassist Kiyoshi Kitagawa and drummer Johnathan Blake, Barron creates an album that effortlessly blends instrumental mastery with vocal ...
Continue ReadingRin Seo, Pete Mills, Johnathan Blake, Ledisi and more
by Benjamin Boddie
Today's Music--Right Now! Fantastic music by Rin Seo, Pete Mills, Johnathan Blake, Ledisi, JD Allen, Kate Wyatt, Michael Dease, Emma Smith, Charlie Porter, Jason Charos, Thom Rotella, Baltimore Jazz Collective, Steven Oquendo Latin Jazz Orchestra, Susan Krebs & The Local Outfit, Jonathan Moritz, Jim Witzel, Joe Bowden, Saku Mantere, Shawn Purcell, Alex Sipiagin, Linda Dachtyl, Jennifer Madsen, Yoko Yates, Syndee Winters, Eric Alexander, Christian McBride, and more. Playlist Rin Seo “City Suite: II" from Cityscape City Suite (Cellar ...
Continue ReadingTrion In Flight: A Celebration Of Freedom and Form for the Jazz Gallery’s 30th Anniversary
by Dave Kaufman
The Jazz Gallery is celebrating its 30th anniversary this year, and the programming has been nothing short of remarkable. One of New York City's most hospitable and artist-friendly venues, the Gallery offers an ideal listening experience: comfortable seating, excellent sound and sightlines, and a genuinely welcoming vibe--including for photographers, which is much appreciated. Trion, the powerhouse trio led by drummer Johnathan Blake, features bassist Linda May Han Oh and saxophonist Chris Potter--leading lights of the contemporary jazz ...
Continue ReadingKris Davis: Run the Gauntlet
by John Sharpe
While Kris Davis hews close to the hallowed piano trio format on Run The Gauntlet, her first return to the set-up since Waiting For You To Grow (Clean Feed, 2014), she inevitably gives it a few intriguing twists. By recruiting bassist Robert Hurst, alumni of Tony Williams, Steve Coleman and Wynton and Branford Marsalis, and drummer Johnathan Blake, a Blue Note leader also to be heard with Kenny Barron, Ravi Coltrane and Pharoah Sanders, she ensures a driving beat which ...
Continue ReadingHarry Skoler: Red Brick Hill
by Angelo Leonardi
Metodo catartico. Con questa tecnica, ideata da Freud e Breuer nelle prime fasi della psicoanalisi, si aiutavano i pazienti ad affrontare i postumi di un trauma. Da allora gli psicoterapeuti hanno perfezionato i loro metodi ma fuori dagli studi professionali anche l'arte s'è rivelata un mezzo per affrontare le ferite della psiche. Ad esempio con l'opportunità di elaborare un lutto in forma simbolica. Il nuovo disco di Harry Skoler sembra porsi in questa prospettiva e l'autore lo presenta ...
Continue ReadingKris Davis Trio: Run the Gauntlet
by Alberto Bazzurro
Innanzitutto le dediche: a Geri Allen, Marilyn Crispell, Angelica Sanchez, Carla Bley, Renee Rosnes, Sylvie Courvoisier, sei colleghe di strumento (e non solo), ognuna con la sua brava colonnina esplicativa nel booklet che accompagna il CD, a cui Kris Davis si sente evidentemente vicina. Poi la musica: un piano trio pieno, vitale, contemporaneo ma senza eccessi, come già l'iniziale title--track, tredici minuti di un jazz fluente, privo di particolari barriere, ci dice eloquentemente. Poi, però, ecco subito appresso ...
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