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Album Review

Rudy Royston: DAY

Read "DAY" reviewed by Vic Albani

by Vic Albani

Rudy Royston, batterista di prima classe (Bill Frisell, Dave Douglas, JD Allen, Ben Allison, Rudresh Mahanthappa e molti altri), approda con Day alla sua quinta uscita per l'etichetta del signor Dave Douglas, Greenleaf. Day è la seconda uscita dei Flatbed Buggy, vale a dire dell'avventuroso combo creato dal batterista con l'aiuto delle bass lines di Joe Martin, dei clarinetti di John Ellis, del violoncello di Hank Roberts e della fisarmonica di Gary Versace. L'idea base del lavoro omaggia la giovinezza ...

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Album Review

Alex Kautz: Where We Begin

Read "Where We Begin" reviewed by Katchie Cartwright

by Katchie Cartwright

Born and raised in São Paulo, drummer Alex Kautz moved to Mexico City with his parents in 1996. His sound world growing up included his parents' MPB (música popular brasileira), bossa nova and samba, along with North American rock and a bit of classical music. Jack DeJohnette's New Directions (ECM, 1978)--with Lester Bowie, Eddie Gomez and John Abercrombie--turned his head toward jazz in a big way. Chick Corea's Return to Forever (Light as a Feather, Polydor, 1973) caught his ear ...

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Album Review

Etienne Charles: Creole Orchestra Featuring René Marie

Read "Creole Orchestra Featuring René Marie" reviewed by Chris May

by Chris May

Trinidad-born Etienne Charles has been fortunate in his associates during his development as a jazz musician. One of the first friends he made on arrival in the U.S.A. in the early 2000s to study at Florida State University was faculty member Marcus Roberts. Among much else, the pianist taught Charles the importance of keeping in touch with his roots. “He always said make sure you put where you're from in your music," says Charles in the press materials accompanying his ...

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Album Review

Jon Gordon: 7th Ave South

Read "7th Ave South" reviewed by Pierre Giroux

by Pierre Giroux

Jon Gordon, an alto and soprano saxophonist, steps into the limelight with his latest release 7th Ave South, a melodic memoir of a transformative place for jazz history in the early 1980s. This journey is a testament to the fascination of discovery and the allure of artistic camaraderie four decades later. In this ten-track outing of primarily original compositions (with two exceptions), Gordon, a music professor at the University of Manitoba, Winnipeg, Canada, is accompanied by fellow faculty members or ...

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Album Review

Alan Ferber: Up High, Down Low

Read "Up High, Down Low" reviewed by Angelo Leonardi

by Angelo Leonardi

Nel nono disco da bandleader, il trombonista Alan Ferber ritorna col suo abituale nonet, con cui ha già inciso quattro album. L'organico ha subìto qualche cambiamento con le presenze del chitarrista Nir Felder, di Chris Cheek al sax baritono e qualche altro (ma restano i fidi sassofonisti Jon Gordon, Charles Pillow e John Ellis, il trombettista Scott Wendholt) confermando l'estetica di fondo: un modern mainstream caratterizzato da groove ritmico, chiarezza melodica e arrangiamenti leggibili che s'ispirano anche al soul ...

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Album Review

Gili Lopes: Algures

Read "Algures" reviewed by Doug Collette

by Doug Collette

Bassist, composer, musical director and producer Gili Lopes is nothing if not an astute judge of talent. After all, for Algures (from an old Portuguese word meaning 'somewhere'), he has recruited a redoubtable case of accompanists, not the least of whom is saxophonist John Ellis, he of fruitful collaborations with Charlie Hunter and Miguel Zenon among others, as well as a string of diverse albums under his own name such as Dance Like There's No Tomorrow (Hyena, 2008) and Puppet ...

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Album Review

Darcy James Argue's Secret Society: Dynamic Maximum Tension

Read "Dynamic Maximum Tension" reviewed by Angelo Leonardi

by Angelo Leonardi

Precursore nel 2009 (con l'innovativo Infernal Machines) del nuovo rinascimento orchestrale nel jazz, Darcy James Argue approda all'etichetta Nonesuch e pubblica il nuovo album in studio: un doppio CD realizzato con i consueti partner della Secret Society più l'aggiunta della cantante Cecile McLorin Salvant e della violinista Sara Caswell. A differenza degli ultimi due dischi, Dynamic Maximum Tension non è un'opera multimediale ma conserva la spinta visionaria animata dalla costante riflessione socio-politica. Spinta che si traduce in ...

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