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3

Album Review

Tom Collier: Across The Bridge

Read "Across The Bridge" reviewed by Dan Bilawsky

by Dan Bilawsky

Ruminations on the past, musical or otherwise, are often weighed down by the sediment of sentiment. But it certainly doesn't have to be that way. Looking back can provide an outlet for the imagination to take control, and vibraphonist Tom Collier seems well aware of that. On Across The Bridge, Collier revisits his youth, delivering nine original numbers that touch on a childhood spent on the opposite side of the West Seattle Bridge from where he currently resides. It's a ...

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145

Album Review

Hal Galper Trio: Trip the Light Fantastic

Read "Trip the Light Fantastic" reviewed by Dan McClenaghan

by Dan McClenaghan

About eighty percent of the jazz piano players out there can fit into one of two schools: that of the introspective, harmonically rich Bill Evans mode; or the more percussive and gregarious Bud Powell bebop approach. There's also a small slice of the that pie that draws it primary inspiration from bright and splashy Art Tatum/Oscar Peterson pre-bop playing style, along with various subsets. Then there are those who take a foundation of one of those approaches and craft something ...

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216

Album Review

Hadley Caliman and Pete Christlieb: Reunion

Read "Reunion" reviewed by C. Michael Bailey

by C. Michael Bailey

Both Hadley Caliman and Pete Christlieb were active on Los Angeles jazz scene going on 50 years ago, and the two tenor saxophonists actually performed together at the time. Real life got in the way, guiding each man in his allotted direction. Origin Records' house pianist (and All About Jazz Contributor) Bill Anschell brought the two together for Reunion, composing a good old fashioned cooker to open the disc. “Little Dex" (after Dexter Gordon) is thus titled ...

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380

Album Review

Hadley Caliman / Pete Christlieb: Reunion

Read "Reunion" reviewed by Dan McClenaghan

by Dan McClenaghan

Reunion showcases a couple of old saxophone pros diving deep into the jazz mainstream, backed by an energized rhythm section. Tenor men Hadley Caliman and Pete Christlieb worked together on the Los Angeles Central Avenue jazz scene back in the 1960s, at a club called Marty's, where Caliman was the mentor. Forty-plus years later, they're back together again, on an absolute jewel of a straight-ahead offering.Caliman's recording career went dormant for thirty years--a drug problem, jail time, rehabilitation, ...

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293

Album Review

John Bishop: Nothing if Not Something

Read "Nothing if Not Something" reviewed by Dan McClenaghan

by Dan McClenaghan

John Bishop heads one of the most dynamic new jazz labels, Origin Records, out of Seattle, Washington. In addition to his chores running the company, Bishop also designs some of the coolest cover art out there. Origin has released two hundred-plus CDs, garnering four Grammy nominations along the way.Bishop plays some drums, too, co-leading a fully intregrated piano trio, New Stories, and he sits in the drummer's chair on dozens of Origin recordings. In spite of all the ...

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101

Album Review

John Bishop/Jeff Johnson/Rick Mandyck/John Stowell: Scenes

Read "Scenes" reviewed by Dave Nathan

by Dave Nathan

With this Origin label release, the fruitful Northwest music scene continues to manifest high caliber jazz music sessions. This time it's the 8 year-old trio of John Bishop, Jeff Johnson and Rick Mandyck enhanced by guitarist John Stowell, for more than an hour of modern and progressive jazz. The play list is certainly an attractive one combining three originals with standard and jazz classics. Stowell. who worked with David Friesen for seven years, plays a clean lined guitar avoiding smears, ...

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105

Album Review

John Bishop/Jeff Johnson/Rick Mandyck/John Stowell: Scenes

Read "Scenes" reviewed by Joseph Blake

by Joseph Blake

Guitarist John Stowell's liner notes to this recently released CD makes Scenes sound almost serendipitous. He writes that “I suggested that we make a little music and turn on the tapes if we liked the chemistry...We did a couple of gigs in Seattle and went into the studio for a couple of sessions."

Stowell and drummer John Bishop produced the two sessions recorded at Seattle's Ironwood Studios. They showcase the quartet's very democratic approach on a repertoire including Tom Harrell's ...

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