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About Joe Williams

1

Radio & Podcasts

The Sistering Project, Joe Williams, Gillian Margot, Nicole Zuraitis and Many More

Read "The Sistering Project, Joe Williams, Gillian Margot, Nicole Zuraitis and Many More" reviewed by Jua Howard

by Jua Howard

Hey Music Family! I hope you all are taking care of yourselves and protecting your peace. It's time for another episode of the “First Instrument Jazz Show"! I've got a lot of new music including from Tierney Sutton, April Varner, Kurt Elling and a powerful collaboration between Kate McGarry, Nnenna Freelon, Lenora Zenzalai Helm and Lois DeLoatch known as the Sistering Project. I've also got more timeless music to share including from Joe Williams, Irene Kral, Gillian Margot, Jo Lawry, ...

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2

Radio & Podcasts

Uncle Bill's Storytime

Read "Uncle Bill's Storytime" reviewed by H William Stine

by H William Stine

Two hours of arguably the best of the best singers. I'd also argue that they are among the best of the best storytellers, too. This week was all about finding singers and songs that tell a story. That's my story and I'm sticking to it. Playlist Cody Owen Stine “Paris Mismatch (Theme Music)" from Unreleased Master (Self Produced) 00:00 Jeff Hall “Never Never Land" from Life: Collected (CD Baby) 02:16 Cynthia Bane “Itsy Bitsy Blues" from Clearly ...

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1

Radio & Podcasts

What We Need Are Hearts On Fire

Read "What We Need Are Hearts On Fire" reviewed by Mary Foster Conklin

by Mary Foster Conklin

Sample sweet holiday music from Beegie Adair, plus new releases by pianists Harold Mabern and Sue Palmer, with birthday shout outs to Diane Schuur, Frank Sinatra, Joe Williams (celebrating his centennial this year), Jazz Master Bob Dorough, Cassandra Wilson and lyricist Morgan Ames, among others. Playlist Gordon Goodwin Big Phat Band “The Little Drummer Boy" from Wrap This! A Big Phat Christmas (Music of Content) 00:00 Kurt Elling “We Three Kings from" The Beautiful Day (Sony Masterworks) 06:44 ...

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222

Album Review

Joe Williams: Music for Lovers

Read "Music for Lovers" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Joe Williams' Music for Lovers comes closer to the cocktail sophistication of Nat King Cole or Billy Eckstine than to any blues jump or shout to which Williams gave joyous voice as vocalist with the Count Basie Band.

Perhaps the best part of this material, drawn from Williams' 1959-63 ballad albums for Roulette Records, is hearing his profound, inexhaustible voice keeping quiet company with fellow Basie alumni Harry “Sweets Edison (trumpet), Ben Webster (tenor saxophone), and rhythmist Freddie ...

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126

Album Review

Joe Williams featuring Ben Webster: Havin' a Good Time

Read "Havin' a Good Time" reviewed by AAJ Staff

by AAJ Staff

By Ted Kane

Over the years, I've come to be a bit skeptical of the “discovered" or “lost classic" type of record release. You know, the kind where the historical significance is trumpeted and the sound quality is at a subbootleg level. Most of the time, that stuff languished in a vault for a reason all those years. Still, when I heard about Havin' a Good Time, the only known pairing of the great jazz/blues singer and Basie ...

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206

Album Review

Joe Williams: A Man Ain

Read "A Man Ain" reviewed by Jim Santella

by Jim Santella

Sorely missed since his passing last year, Joe Williams set a mark for high standards that few are willing to follow. Only a handful of male jazz singers hang on to that valuable tradition today. Known for his definitive performance of the blues, Williams captured the hearts and minds of a broad audience. As a big band singer, he brought perfection to the stage. Throughout his 60-year career, he explored many different aspects of the jazz and blues world. This ...

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252

Album Review

Joe Williams: A Man Ain't Supposed To Cry

Read "A Man Ain't Supposed To Cry" reviewed by AAJ Staff

by AAJ Staff

When Joe Williams passed away in March of 1999 while walking home in Las Vegas, he of course was acknowledged as one of the greatest vocalists in jazz. Legions of jazz musicians enjoyed performing with him and admired the way he crafted a song, not to mention the way he knew how to add character to a big band with the sound of his voice. Nancy Wilson's respect overflowed when she interviewed him on Nancy Wilson's Jazz Profiles. A concert ...

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