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Ivo Perelman: Reed Rapture in Brooklyn
by Jeff Schwartz
Is this album fundamentally unreviewable? Are there jazz fans who do not immediately know if they need an 11-hour collection of 103 improvised duets between Ivo Perelman and a dozen saxophonists and clarinetists? It is at least describable. Perelman is faithful to his tenor, while his partners bring examples of nearly every type of saxophone, from soprillo to contrabass, as well as most of the clarinet family. Although all tracks are free improvisations, the default mode is ...
Continue ReadingJoe Lovano Trio Tapestry: Our Daily Bread
by Mike Jurkovic
Rising from a serene inner place, the music takes shape like prayer. That it is prayer that lies at the beating heart of all eight spacious spirituals that comprise Our Daily Bread, should come as no surprise. Bearing the expressive quietism of his ancestors--John Coltrane, Sonny Stitt, and Ornette Coleman among them--saxophonist Joe Lovano has never hid his leaning towards higher powers. Imagine Trio Tapestry's third deep listening, deeply rewarding ECM release as a house of worship at ...
Continue ReadingJoe Lovano: Cleveland's Ultimate Jazz Titan
by Matthew Alec
Friday, June 24th, 2022, saxophonist Joe Lovano's group Sound Prints (alongside trumpeter and co-leader Dave Douglas) delivered a tour de force performance to spellbound audience members at the historic Mimi Ohio Theatre in Playhouse Square as a part of Cleveland's annual Tri-C JazzFest. Seasoned group interplay between drummer Rudy Royston, bassist Matt Penman, and pianist Leo Genovese characterized the quintet's languid execution of modern bop-fueled repertoire and served as the perfect complement to the colorfully virtuosic musical conversations between Lovano ...
Continue ReadingIvo Perelman: Reed Rapture in Brooklyn
by Mark Corroto
"Let's play two," the famous line by the Cubs Hall-of-Fame baseball player Ernie Banks in 1969, uttered when the temperature in Chicago had reached 105 degrees (40.5 celsius) and his teammates were exhausted, might find its analogy with this massive undertaking from saxophonist Ivo Perelman. At eleven hours in length though, the two games Banks cited are not single games, but more like two double-headers here. Like the baseball infielder, Perelman has limitless energy and a never-ending appetite for creativity, ...
Continue ReadingReed Rapture In Brooklyn: A Box Set Of Woodwind Duets With Ivo Perelman
by Hrayr Attarian
One of the 20th century's musical geniuses, saxophonist Charlie Parker said “Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you that music has boundaries. But, man, there's no boundary line to art." This statement on unbridled creativity applies perfectly to saxophonist Ivo Perelman's oeuvre. Perelman, however, is not just a saxophonist. Although the tenor is one of his favorite tools of expression, he is an ...
Continue ReadingJakob Bro, Joe Lovano: Once Around the Room - A Tribute To Paul Motian
by Angelo Leonardi
Il magistrale percorso da leader di Paul Motian, esploso negli anni ottanta nel trio con Joe Lovano e Bill Frisell, ha avuto significativi tributi a partire dal 2011, l'anno della sua scomparsa: ricordiamo lo String Choir di Joel Harrison, il collettivo Motian Sickness di Jeff Cosgrove, il solo piano di Russ Lossing (Drum Music) e quello successivo di Jean-Marc Padovani (Motian in Motion). Rispetto a questi, il tributo del collettivo guidato da Joe Lovano e Jakob Bro ...
Continue ReadingJakob Bro / Joe Lovano: Once Around the Room
by Mike Jurkovic
The thrumming double basses of Larry Grenadier and Thomas Morgan initiate the conversation. Then the scattered insistence of rhythm by drummers Joey Baron and Jorge Rossy enters, pushing Once Around the Room into consciousness with all the anticipation and hushed intent of an orchestra tuning before a performance. Airy clusters of guitar courtesy of Jakob Bro and electric bassist Anders Christensen introduce Joe Lovano's aching call summoning the spirit to make known “As It Should Be," the first of the ...
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