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Jazz Articles about Eumir Deodato
Antonio Carlos Jobim et al: Focus On Bossa Nova
by Arnaldo DeSouteiro
This is a trip into the world of bossa nova. Or the worlds of bossa nova. For the style that made Brazilian music so respected and famous all over the world has some subdivisions that coexist among its universe. Bossa nova ranges from the cool/introspective/airy sounds patented by Joao Gilberto in the late Fifties, to a strong/vigorous/hard-bop influenced samba-jazz that reigned in the mid-Sixties. But both streams are equally sophisticated in harmonic terms, mixing beautiful melodies with captivating grooves. So, ...
Continue ReadingCTI Acid Jazz Grooves by Various Artists
by Arnaldo DeSouteiro
The CD you are holding in your hands is a very special compilation. It's the celebration of CTI as one of the most “sampled" labels on Earth! For the past ten years, many CTI tracks have been cut up, sampled, scratched and looped to create new songs for a new audience. Many of the selections on this album (all of them produced by Creed Taylor and engineered by Rudy Van Gelder) represented the basic inspiration and major influence in the ...
Continue ReadingEumir Deodato: Os Catedraticos 73
by Chris M. Slawecki
In 1973, Eumir Deodato was riding high upon the GRAMMY® Award-winning success of “Also Sprach Zarathurstra (Theme from 2001: A Space Odyssey)," the Brazilian keyboardist's jazz-rock fusion take on Richard Strauss' classic, from his previous release Prelude (CTI, 1972). Deodato's next move, Os Catedráticos 73 doesn't mess with that successful formula but throws a lot more of his own keyboard playing on top. For its rhythm tracks, Deodato recorded a Brazilian rhythm machine featuring himself with bassist Sergio ...
Continue ReadingEumir Deodato: Os Catedraticos 73
by Mark Sullivan
Composer/arranger/keyboardist Eumir Deodato is best known for a series of albums on the CTI label, notably Prelude (CTI Records, 1973) and Deodato 2 (CTI Records, 1973). Os Catedraticos 73 dates from the same period, and employs many of the same musicians. It was recorded between Rio de Janeiro and New York, featuring a Brazilian rhythm section including Azymuth drummer Ivan 'Mamão' Conti, percussion master Orlandivo, and bassist Sergio Barroso, while the horn section features some of New York's top brass ...
Continue ReadingAntonio Carlos Jobim: Stone Flower
by David Rickert
Jobim has been described as the Gershwin of Brazilian music, which is an apt title for a man who contributed so many original songs to the jazz repertoire, adding a few standards along the way. Those who were inspired to follow his work after “The Girl From Ipanema” may have picked up Wave, his most well-known solo record, but may have overlooked Stone Flower, a markedly better effort. The drippy strings on the former record brought out the quiet romanticism ...
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