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Erik Friedlander throws a glass of absinthe, and more new releases

by Ludovico Granvassu
This week Mondo Jazz chats with cellist Erik Friedlander about his latest project inspired by Pablo Picasso's bronze sculpture Glass of Absinthe." Artemisia--a visually stunning vinyl box set containing musically stunning work--features Uri Caine on piano, Mark Helias on bass and Ches Smith on drums. And, of course, more new releases! Playlist Ben Allison Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" Reinier Baas Off the Sauce" from Mostly Improvised Instrumental Indie Music on (Mainland) ...
Continue ReadingErik Friedlander's Oscalypso al Carambolage di Bolzano

by Giuseppe Segala
Erik Friedlander's Oscalypso Piccolo Teatro Carambolage Bolzano 06.02.2017 Eleganza, precisione, arrangiamenti che coniugano intricati contrappunti a trasparenti unisoni, attenzione ai contrasti dinamici e agli impasti timbrici. Senso dell'esplorazione e della sorpresa. Sembrerebbe la descrizione dell'approccio musicale cameristico tipico di quello che è stato collocato sotto la definizione di Cool Jazz. Quella parte del Cool che nelle sue espressioni più intense e convincenti ha avuto protagonisti come Jimmy Giuffre, con i suoi trii e quartetti, oltre ...
Continue ReadingErik Friedlander At National Concert Hall, Dublin

by Ian Patterson
Erik Friedlander Kevin Barry Room, National Concert Hall Dublin, Ireland February 4, 2017 The sense of privilege was inescapable. To be one of a small number of people present at an intimate performance of music so beautiful felt like a royal invitation. Cellist Erik Friedlander was born the year that Oscar Pettiford died, in 1960, and although nearly half a century has elapsed since Pettiford's death at the age of thirty eight--when he ...
Continue ReadingErik Friedlander: A Little Cello?

by Ian Patterson
Normally lumped into the 'miscellaneous instruments' category of jazz awards, the cello has been something of a bit player in the colorful history of jazz. That said, today there are arguably more cellists in jazz and contemporary improvised music--and some extraordinary ones at that--than ever before. One of the best known cellists is undoubtedly Erik Friedlander, whose discography as a leader straddles acoustic jazz, film soundtracks, Americana roots, literature-inspired improvisations, extended suites, avant-garde/contemporary classical music, and compositions inspired by ancient ...
Continue ReadingErik Friedlander: Rings

by Enrico Bettinello
In questo disco dai tratti ciclici e suadenti, il violoncello di Erik Friedlander incontra sotto la sigla Black Phebe" le percussioni di Satoshi Takeishi e la fisarmonica/piano/elettronica di Shoko Nagai. Con grande varietà di approcci e contando su una sensibilità in grado di infondere anche al gesto sonoro più semplice un'angolazione più profonda, i tre si muovono attorno all'idea di ripetizione, di ipnosi quasi inconscia, che attraversa forme conosciute -il tango iniziale The Seducer" per esempio -o momenti ...
Continue ReadingErik Friedlander: Rings

by Jakob Baekgaard
Repetition is sometimes seen as a bad thing. The mundane cycle of everyday life involving the same actions. However, it is only through repetition that differences can occur. A weekend is only special because it stands out as a difference from the ordinary week. But repetition is not only useful as a way of appreciating difference, it also has it is own poetry, which has been explored by minimalistic pioneers such as Philip Glass and Steve Reich. ...
Continue ReadingErik Friedlander: Oscalypso

by Troy Collins
As a veteran of the fertile 1990s Downtown NYC scene, cellist Erik Friedlander has been involved in myriad creative endeavors, including innovative sideman work with Dave Douglas and John Zorn, while leading his own unique ensembles, such as Chimera and Topaz. More recently, Friedlander has been performing solo and developing projects inspired by rural Americana, but he has never released an album of covers--until now.Oscalypso features creative reinterpretations of nine of Oscar Pettiford's most beloved tunes. Although Friedlander ...
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